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Carnival Cinema

Interviews & Articles

Vulcana – Interview with Celia White

written by Carnival Cinema January 30, 2020

By Marianna Joslin

Vulcana Women’s Circus takes its name from a British strong woman in the early twentieth century, who performed amazing feats of strength throughout the world. Founded in West End in 1995, in response to the need to create a safe, non-competitive space where women could explore their physical potential, Vulcana is Queensland’s oldest women’s arts organisation. Women’s Circuses, as community arts organisations, are unique to Australia and Vulcana continues to create opportunities for women, trans and non-binary folk, young people and their communities, to participate in physical and creative processes, and experience personal revolution. Vulcana is proud to have supported many remarkable women in circus, Some Vulcanista’s have gone on to tour the world with renowned circus companies as well as with their own work, other’s pursue interests and careers not related to circus. They are proud of their diverse community and each individual’s success in their chosen field.

Vulcana – ‘As If’

I am a proud Vulcanista, I started circus in Vulcana classes many years ago, and now have a successful international circus career. I interviewed Celia White, the current artistic director about all things Vulcana, ahead of their move to a spectacular new venue.

Marianna (M): How did Vulcana start?

Celia (C): Originally it was set up to address a lack of training opportunities and an imbalance in the representation of women in circus. It has always been a place that encouraged women to get into circus, a safe space where women can grunt and reveal their lack of strength in certain areas and give things a go.

Alongside there was this idea of the broader benefit of the work, so an outreach program grew quite quickly. It became more and more important in the work Vulcana did, creating full-scale performance outcomes (shows) with a range of communities. Outreach started in the mould of Women’s Circus in Melbourne, with communities that were in crisis situations, domestic violence, sexual violence, those kinds of very difficult communities. There were organisations that represented those women to connect us, but a lot of those organisations don’t exist any more; the funding and priorities have shifted. Also at various points in Vulcana’s history, we have branched out; we had a strong relationship with Inala Wangarra working with the Indigenous community in Inala, and the African refugee community.  The focus of it all is that it is women-led, which doesn’t mean we won’t employ men, but that we try and employ a woman first.

M: I still think that’s very relevant today, and maybe harder to prove? Or has it always been hard to prove?

C: No, you just have to look at any of the reports that come out about the structure of the theatre industry, it’s still highly relevant. We need more women to have access to opportunities, especially in positions of power.

M What does it feel like to see a project empower women?

Celia (C): It’s pretty great. One of my favourite examples that does just that is ‘Circus in a Tea Cup’, that was working with a particularly disempowered group of women survivors of domestic violence, and the change was visceral, you could feel it. The impact that had, not just on the participants, but on everybody, of the value of the work – it was huge.

Another project that was really exciting was ‘Strange Creatures.’ The outcome was again a performance, but the process was this cultural exchange between hearing and deaf women, and what that did to both groups of women, in terms of understanding each other and feeling so good about that. It’s not just the empowerment that circus gives, it’s the kind of expansion of how we understand each other. The same happened in ‘Small Change’, where there was this exchange between older women and younger women, of seeing each others ideas and value in the world, then again in ‘As If No One is Watching’, women sharing their stories and having such important special exchanges between each other.

In the process of circus – and it’s similar in dance – where you are body-on-body in contact with people, you are playing games and exchanging physical risks, the emotional exchange that happens, and the exchange of ideas, has a heightened quality to it. So it’s the cultural exchanges, as well as what women feel when they are successful in achieving something, whether it’s physical, creative or cultural.

M: Being someone that came into circus through Vulcana. I wouldn’t have thought I needed a women’s circus space but definitely the empowerment is different. I came from a physically difficult background, and it is a sacred thing having a supportive women-only space, trying stuff together and not having the male gaze that you either act up to or feel inferior to. Would you agree Vulcana’s ethos of empowerment in teaching and training is special?

C: Yes, it’s not the only model of how you teach circus to women by any means, and not everybody who comes to Vulcana comes for that reason, but often when they come here, they very quickly appreciate that space, which doesn’t mean they stay in that space, but they often come back to that space.

M: They can bounce from that space to other spaces that they might not have been able to without it.

C: Yes exactly, right.

M: How does that influence our artistic output?

C: We are interested in supporting artists making work about how women’s bodies are represented, as well as all other types of work. My particular interest is to make circus that is asking questions: Why? What are you doing? What work are you making?

M: That is always an important question because the way circus work is commercialised reflects society at large. Dominant forms are “sex sells” line of circus, of which there is some revolutionary work but many not. Contemporary work, which has strong women in it, but isn’t necessarily changing the way we look at women, family shows which can have great concepts and then more fringe works that are artistically potent but struggle to find a commercial platform. I think it’s always good to ask those questions as artists, especially in society right now it is very potent. Things are changing. 

C: Yes and we feel currently there’s a lot of contemporary circus like the toss-the-girl model with five men and one woman, that doesn’t necessarily redress this imbalance, and there’s also a resurgence of strong groups of women who are making work trying to address that issue.

M: I find what Vulcana is particularly good at is the inclusivity of skill. Your work has always reflected people’s story and a body in space, with the base as circus.

C: Yes, I have always been interested in making theatre that uses circus, so that’s my personal history as a performer and director. Working at Vulcana means working with people who may have very high skills or may have no circus skills yet, but everybody can move. So we look at how to incorporate all those bodies and all that experience into a piece of theatre, which means it’s got to be flexible, your circus has to be flexible.  We also understand that you may not be able to swing from a rope, but you may have an idea, or say something, or have movement that is the perfect thing for that moment. And we need that. Vulcana needs that representation in our work.

M: In my time I’ve seen these amazing pockets of community created which happens in circus elsewhere so it’s not just Vulcana. How does this happen?

C: Creating a community that supports women is something Vulcana actively aims to do. There is also the tradition of circus as a family space, you create a family out of the troupe. There is something about the shared risk; you swing through the air, you stick your head in someone’s crutch and you don’t have to have a relationship to do that, but some kind of relationship with that body that allows that and makes it ok.

M: Actually the desexualised nature of it all is great, we don’t have that, or even touch in the modern world.

C: Yes exactly the physical touch, that’s why I love acrobatics and I don’t understand why everyone wants to start in the air.

M: How do you survive as a non-funded community-based organisation?

C: It’s extremely difficult to sustain an organisation with very minimal funding. We look like an arts organisation, but we’re actually a bunch of independent artists. We have a long history of work, and we have organisational structures, but the reality is that without organisation funding, it’s very hard to maintain those structures. So everybody (in the office and on certain projects) is overworked, but not necessarily underpaid.

M: Yes Vulcana is very good at upholding wages

C: We took the position a long time ago that because women are traditionally underpaid, we try and pay properly. But obviously, in projects, there is more to do than there is money for, and so passionate artists do the work that needs to be done with or without the funding. We are under-resourced.

 M: Are we the least funded in Brisbane?

C: Yes, as an organisation.

M: That is astounding since Vulcana pays the highest wage. How did we survive the cuts?

C: When we first lost our funding and lots of companies were going under in the Campbell Newman era, I think around 2013, the community-made a decision to try and keep Vulcana going, so there was a lot of fundraising and an immense amount of goodwill. We’ve been experimenting with a social enterprise model for the last six years, trying to work out how we can do it, how we increase the income we can generate ourselves, and how much of that can then be invested in our artistic output. Fundraising will remain a critical part of our ongoing sustainability.

M: I know community shows need funding, which project grants are hard to get so they have taken a hit, but how about Incubator, the program that provides a period of space and access to you as a director to help make work, is that a way to keep providing artistic output?

C: Yes, so that’s my wage put towards supporting and encouraging artists. We give as much support to artists as possible.  We’ve got this resource, the space, so we pass it on to artists when we can.

M: So basically not being funded makes it 1. Very difficult to survive, and 2. Puts a restriction on how much you can offer the community, and these positive impacts which we both know are huge.

M: Ok so I want to talk about the impact of our community shows. Those shows have a lot of power and are incredibly artistic, but how do you prove that to the wider arts market?

C: I think something we battle with is how to communicate successfully the level of artistry in these shows, that they are shows to be taken seriously. Because not all the performers are professional or even identify as performers, but it’s produced by professionals and led by professionals. Since the Community Cultural Development funding was dismantled a while ago, there has been an undermining of this type of work. It’s not valued in the same way.

M: It’s put in a different category, yet it’s a shame because those shows have power.

C: I think it’s the problem of being a fringe organisation, which a women’s circus company is likely to be. Although we have a loyal following at our shows, at every turn you have to re-justify the fact that this work is valuable, not only for its benefits for participants and artists but as exceptional experience for audiences. If we don’t have a diversity of artists, forms, and content; if we don’t encourage this range of expression, participation, and practice, who are we culturally?

M: Vulcana is moving to a grand new space, can you tell me about that?

C:  The space is an amazing achievement, to have won a council-owned building that we run completely. It is in Morningside and has two huge rooms for circus, a few other spaces we can rent out, a kitchen and a bar, so it will be perfect for shows and events, as well as creating a community hub in this area of Brisbane.

M: So currently there is a fundraiser for the move?

C: We are running a fundraiser that is focussed on the move and the building work needed to transform it into a circus space, but also in an ongoing way  to support Vulcana to continue. We have to learn how to do it better to thrive. It’s not that we’re not interested in organisational funding, we are, but every year it gets tighter down our end of the arts and fundraising is an essential part of every arts organisation’s financial sustainability.

M: Yes, the funnel is very top-heavy right now.

C: Yes, but we have a very strong community to help us.

M: Ok last question, what do you love most about Vulcana?

C: Well the reason I’m still here is that I get to make fabulous work with the most extraordinary range of fabulous people. There is so much that’s unexpected, so much in the stories that come out. You don’t know what’s going to happen; you can come in with an idea, but what happens is the most beautiful and surprising things. You end up with such beautiful work.

If you would like to support Vulcana to continue with their incredible work, give now at  www.vulcana.org.au/support-us

Marianna Joslin

Marianna is a conceptual tour de force, with the sass to put a cherry on any show cake. Her passion for circus was ignited by Vulcana as a young adult, she has since trained and performed with elite circus artists in Australia and abroad. Famed for her powerful stage presence, Marianna specializes in acrobatics, aerial silks and clown. Career highlights include, as a founding member of The Ice Cream Factory, acrobatic duo Twisted Hitch, performing for Circa, for Sydney Opera House, and currently working as a core ensemble member for Company 2. As a performer she believes art is the mirror that makes us human.

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We acknowledge the people of the Bundjalung Nation, traditional custodians of the land on which this  blog originates and pay our respects to their elders past, present and future.
The way we do things around here is that regardless of Age, Gender, Sexuality, Ethnicity our philosophy and our logo stands for inclusion, safety, connection and family.

Vulcana – Interview with Celia White was last modified: February 7th, 2020 by Carnival Cinema

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    August 29, 2019
  • Pick of the Net: ‘Crowd Sauce’ by Tom Thum

    August 28, 2019
  • On the Way of The Showman: Clown Truth

    August 28, 2019
  • The Manifesto 30# – Kareena Hodgson

    August 26, 2019
  • Wunderage by Company 2 & Circus Oz – Carnival Cinema Photo Gallery

    August 15, 2019
  • On the Way of The Showman: Secret knowledge & Me

    July 28, 2019
  • Diary from Philippe Gaulier’s Clown School: Day 1 – Ciara Thorburn

    July 26, 2019
  • The Common Thread: Web series by Darius Devas from ‘Being Here’ Films

    July 14, 2019
  • Amidst the Chaos – Behind the Scenes video series with Gravity & Other Myths

    July 10, 2019
  • The Manifesto 28# – Kareena Hodgson

    July 9, 2019
  • On the Way of The Showman: Explorations in the Kingdom of Childhood

    June 28, 2019
  • Autocannibal: Interview with Masha Terentieva & Mitch Jones

    June 26, 2019
  • FOLD: A Domestic Circus

    June 26, 2019
  • The Manifesto 27# – Kareena Hodgson

    June 25, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 8#

    June 24, 2019
  • Pick of the Net: Freyja & Conor Wild – Interviews – 7 Doights

    June 20, 2019
  • ‘Water Body’ – Photo Gallery & Interview. Aaron Walker

    June 13, 2019
  • Circus Garage Sale & Mentorship Facebook Page

    June 13, 2019
  • The Manifesto 26# – Kareena Hodgson

    June 13, 2019
  • Pick of the Net: Vintage Circus 2#

    June 13, 2019
  • Casus – DNA. Photo Gallery by Kate Pardey

    May 29, 2019
  • On the Way of The Showman: On Music

    May 28, 2019
  • Simi Genziuk’s new book – So She Did, The Story of May Wirth.

    May 28, 2019
  • The Manifesto 25# – Kareena Hodgson

    May 28, 2019
  • Pick of the Net: Lewie West Acro Impro

    May 24, 2019
  • World Acrobatics Magazine – Ralph Samuels

    May 15, 2019
  • The Manifesto 24# – Kareena Hodgson

    May 14, 2019
  • Warehouse Circus: Social Perspectives Video

    May 6, 2019
  • The Brunswick Picture House – The Birth of a Cultural Hub

    April 29, 2019
  • Gravity & Other Myths – Out Of Chaos, Adelaide Festival 2019

    April 29, 2019
  • On the Way of The Showman: Travel Log, April 2019

    April 28, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 7#

    April 28, 2019
  • The Manifesto 23# – Kareena Hodgson

    April 17, 2019
  • Rebel, Rouge & Shake it – Photo Gallery from Mark Turner

    April 3, 2019
  • Pick of the Net: Jiemba Sands rocking Instagram

    April 2, 2019
  • The Manifesto 22# – Kareena Hodgson

    April 2, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 6#

    April 1, 2019
  • On the Way of The Showman: Esoteric vs Exoteric Showman

    March 28, 2019
  • Interview with Trent ‘The Birdmann’ Baumann

    March 20, 2019
  • Interview with Lynne Kent

    March 19, 2019
  • The Manifesto 21# – Kareena Hodgson

    March 18, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 5#

    March 18, 2019
  • The Destiny Show Project by Contributing Photographer Aaron Walker

    March 17, 2019
  • Strawberry Siren Feature Interview

    March 5, 2019
  • Erasmus+ EDUCIRCATION: CIRCE partnership project by Marada Manussen (UK)

    March 3, 2019
  • Circus Cracks Open 2019 – Sand, Spin & Sin City by Simone O’Brien

    March 1, 2019
  • On the Way of The Showman: Get Your Act Together

    February 28, 2019
  • The Manifesto 20# – Kareena Hodgson

    February 27, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 4#

    February 26, 2019
  • Out of Chaos by Gravity & Other myths – BTS Photo Gallery

    February 13, 2019
  • Running a Circus Festival? How Hard Could it Be? by Ciara Thorburn

    February 13, 2019
  • The Manifesto 19# – Kareena Hodgson

    February 13, 2019
  • ‘Lost in Circus’ Video Series – Ken Fanning

    February 13, 2019
  • Spaghetti Circus Film 2018 by Performance Troupe Member Anais Stewart – Long

    February 13, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 3#

    February 12, 2019
  • Pick of The Net: Danny MacAskill – Industrial Revolutions

    February 11, 2019
  • Jess Love Interview

    January 30, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 2#

    January 29, 2019
  • The Manifesto 18# – Kareena Hodgson

    January 29, 2019
  • On the Way of The Showman: The Soul Spectacle

    January 28, 2019
  • Photo Gallery Teaser – Kate Pardey’s Exhibition: Showing Up

    January 28, 2019
  • Interview: Clare Bartholomew & Nicci Wilks – The Long Pigs

    January 16, 2019
  • The Manifesto 17# – Kareena Hodgson

    January 16, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 1#

    January 15, 2019
  • Western Australian Circus Festival – ‘Karnidale’ 2018 – Photo Gallery

    January 14, 2019
  • The Manifesto 16# – Kareena Hodgson

    January 2, 2019
  • On the Way of The Showman: End Times

    December 28, 2018
  • Carnival Cinema Flashback: KAGE – Team of Life 2014

    December 19, 2018
  • The Manifesto 15# – Kareena Hodgson

    December 19, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #6

    December 17, 2018
  • Pick of the Net: The Jovers (Wilfred & Fe Halliwell) 1980

    December 14, 2018
  • The Manifesto 14# – Kareena Hodgson

    December 6, 2018
  • ‘Perhaps Hope’ by Company Here & Now – Interview

    December 5, 2018
  • Pick of The Net: ‘Whats Right’ – Hugo Bladel

    December 3, 2018
  • Flipside Circus Celebrates 20 Years – Kristy Seymour

    November 30, 2018
  • On the Way of The Showman: ‘Again, With Feeling’

    November 28, 2018
  • The Manifesto 13# – Kareena Hodgson

    November 22, 2018
  • Alex Mizzen’s Invisible Things

    November 21, 2018
  • MT W∆RNING, ‘You & Me’ – Rehearsal X Life

    November 17, 2018
  • NICA : Class of 2018

    November 13, 2018
  • The Manifesto 12# – Kareena Hodgson

    November 9, 2018
  • Le Sacre, NICA Photo Gallery – Aaron Walker

    November 7, 2018
  • Resting B*tch Face, Brisbane 2017 – Words by Madeleine Grant & Pics by Hamish McCormick (Carnival Cinema)

    November 4, 2018
  • Pick of The Net: ‘Vintage’ Circus Women

    November 1, 2018
  • On The Way of The Showman: Night Off in Vegas

    October 28, 2018
  • The Manifesto 11# – Kareena Hodgson

    October 25, 2018
  • Mullum Music Festival – Photo Gallery

    October 23, 2018
  • From The Carnival Cinema Archives

    October 18, 2018
  • The Manifesto 10# – Kareena Hodgson

    October 17, 2018
  • Latest from Underground Media – Chris Bennet Film maker Contributor

    October 15, 2018
  • Kate Pardey Photo Gallery – Cirque Alfonse : Barbu 2016

    October 9, 2018
  • Art in The Hills

    October 8, 2018
  • Pick of The Net: Skye Gellmann ‘End Grain Installations’ 2017 (Japan)

    October 7, 2018
  • Backstage with Model Citizens : Words By Lucy Gamsby Frost & Photos by Luke David Kellett

    September 29, 2018
  • The Manifesto 9# – Kareena Hodgson

    September 28, 2018
  • On The Way of The Showman: Oversaturation

    September 28, 2018
  • Carnival Cinema Gathering Brisbane 2018

    September 27, 2018
  • The Manifesto 8# – Kareena Hodgson

    September 14, 2018
  • #Dragformation by Aaron Walker – Photography Feature

    September 11, 2018
  • Pic of the Week: Chad & Ben, Mullumbimby Circus Festival 2015

    September 10, 2018
  • Alex Mizzen – ‘Small Steps’ project 2015

    September 7, 2018
  • Pick of the net: Rudi Mineur (Snr) – The Art of The Minature

    September 5, 2018
  • The Manifesto 7# – Kareena Hodgson

    August 31, 2018
  • I wanna do that, What you do, How do I do that? by Adrienne Truscott

    August 30, 2018
  • On the way of the Showman: Time Travel

    August 29, 2018
  • Pick of The Net: ‘AutoCannibal’ – Mitch Jones (Creative Development Video)

    August 27, 2018
  • Pic of The Week: Laurie Hagen – Club Swizzle

    August 20, 2018
  • Pick of The Net: Storrorblog (Parkour)

    August 17, 2018
  • Club Swizzle X Carnival Cinema at the Roundhouse London

    August 17, 2018
  • Hideaway Circus Podcast (Brooklyn NY)

    August 17, 2018
  • The Manifesto 6# – Kareena Hodgson

    August 17, 2018
  • Pic of the Week: Hot Brown Honey

    August 13, 2018
  • Where do Women exist? By Simone O’Brien

    August 3, 2018
  • The Manifesto 5# – Kareena Hodgson

    August 3, 2018
  • The Manifesto 4# – Kareena Hodgson

    July 20, 2018
  • The Manifesto 3# – Kareena Hodgson

    July 8, 2018
  • Pick of The Net: Mojo Juju – Native Tongue

    July 7, 2018
  • On the Way of the Showman: Terms and Conditions

    June 28, 2018
  • The Manifesto 2# – Kareena Hodgson

    June 22, 2018
  • Pic of the Week: The Pitts Family Circus

    June 18, 2018
  • Carnival Cinema’s Melba Film Night

    June 8, 2018
  • The Manifesto 1# – Kareena Hodgson

    June 8, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #5

    June 1, 2018
  • New! Carnival Cinema Merch – Patch

    April 3, 2018
  • Balance.

    March 29, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #4

    March 21, 2018
  • Malia Walsh – Feature Artist Interview

    March 13, 2018
  • WA Circus Festival – Life at the Circus Video Series

    January 29, 2018
  • Tales From The Training Room Floor – Episode #5: Pointe Adagio/Risley

    December 10, 2017
  • FALLOT (fä-ˈlō) – Photo Essay

    November 29, 2017
  • PARTY GHOST by POACHED EGGS AND ASPARAGUS – Interview

    November 16, 2017
  • ‘Casting Off’ by A Good Catch @ Sidesault Festival – Interview

    November 9, 2017
  • Pick of The Net: Acts on The Paul Daniels Magic Show in 1985

    November 3, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #3

    November 2, 2017
  • Mullum Circus Festival 2017: Through The Carnival Cinema Lens

    October 26, 2017
  • Tales From The Training Room Floor – Episode #4: Rope (Corde Lisse)

    October 24, 2017
  • Pick of the Net: Annalise Chris Andre

    October 20, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #2

    October 9, 2017
  • Pick of The Net: CIRCUS LUNARTICS (Lunar Circus Documentary – 2001)

    September 29, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #1

    September 22, 2017
  • From The Carnival Cinema Archives: Derek Ives – ‘Bucket of Love’ 2007

    September 20, 2017
  • Tales From The Training Room Floor – Episode #3: Roue Cyr

    September 18, 2017
  • Top 5# Tips – How to get over Jet lag quickly

    August 31, 2017
  • Tales From The Training Room Floor – Episode #2: Chairs & Training

    August 23, 2017
  • CIRCUS STARS: Circus and Autism- TEDX talk by Kristy Seymour

    August 16, 2017
  • The making of ‘Razor Baby’ – Club Swing 1998

    August 15, 2017
  • Tales From The Training Room Floor Ep #1: Washington Trapeze

    August 8, 2017
  • The Space Cowboy: Birth of The Million Volt Man

    August 4, 2017
  • Mullum Circus Festival 2001

    July 25, 2017
  • Carnival Cinema Archive – Laid Out

    July 20, 2017
  • Bush High Wire session: National Circus Festival 2011

    July 11, 2017
  • Circus Photographer & Film Maker Feature: Kimberley Brewster

    June 30, 2017
  • Circus Oz Presents Model Citizens

    June 17, 2017
  • Captain Frodo – The Way of the Showman: Video Series

    June 7, 2017
  • Gravity & Other Myths presents BACKBONE

    June 2, 2017

Recent Posts

  • Top 5# Tips – Surviving & Thriving Adelaide Fringe Festival.
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  • Tempo by The Flying Fruit Fly Circus – Jake Silvestro
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  • Chuka Chuks Instructional Videos.

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Recent Posts

  • Top 5# Tips – Surviving & Thriving Adelaide Fringe Festival.

    February 21, 2023
  • Djuki Mala – Gali’winku, Elcho island 2022

    December 8, 2022
  • Tempo by The Flying Fruit Fly Circus – Jake Silvestro

    December 6, 2022
  • Emily Lubitz – Foolish Kids

    November 28, 2022
  • Chuka Chuks Instructional Videos.

    November 7, 2022
  • Open Letter From Hamish AKA Carnival Cinema

    October 21, 2022
  • On the Way of The Showman: The Act of Birth

    February 10, 2020
  • Vulcana – Interview with Celia White

    January 30, 2020
  • Carnival Cinema Presents ‘Fluke’

    January 11, 2020
  • On the Way of The Showman: Natural Acts

    January 10, 2020
  • ‘Uncertainty’ by Charmaine Childs

    January 7, 2020
  • Barefoot Bravery, Bolton and the Bush by Georgia Deguara (Yuck Circus)

    December 18, 2019
  • On the Way of The Showman: Where’s My Art?

    November 28, 2019
  • The Manifesto 33# – Kareena Hodgson

    November 1, 2019
  • On the Way of The Showman: Dinosaurs and Circus

    October 28, 2019
  • The Manifesto 32# – Kareena Hodgson

    October 14, 2019
  • Behind the Scenes of Circus Oz’s Aurora – through the lens of Aaron Walker.

    October 4, 2019
  • On the Way of The Showman: Lets Play Zirkus

    September 28, 2019
  • Pick of the Net: Janik & Arnaut’s Snake dance, 1952

    September 23, 2019
  • Pick of the Net: Moscow Circus School 1965

    September 16, 2019
  • Current Australian Shows & Artists in circulation – 2019ish : Festival Precincts, Tents & Venues 

    September 12, 2019
  • Current Australian Shows & Artists in circulation – 2019ish: Individual Artists 

    September 12, 2019
  • Current Australian Shows & Artists in circulation – 2019ish: Youth Circuses

    September 12, 2019
  • Current Australian Shows & Artists in circulation – 2019ish: Kids & family shows

    September 12, 2019
  • Current Australian Shows & Artists in circulation – 2019ish: Companies

    September 12, 2019
  • Current Australian Shows & Artists in ‘circulation’ – 2019ish: Circus Cabaret & Variety

    September 12, 2019
  • The Manifesto 31# – Kareena Hodgson

    September 10, 2019
  • Pick of the Net: Kateryna Nikiforova – Bounce Juggler

    September 9, 2019
  • Behind the Flitter Curtain – Circa’s Peepshow through the lens of Billie Wilson-Coffey

    August 30, 2019
  • 4 am: by Imogen Kelly- Part 2. (MA15+)

    August 29, 2019
  • 3 am: by Imogen Kelly – Part 1. (MA15+)

    August 29, 2019
  • Georgia Deguara (Yuck Circus) reports in from Edinburgh.

    August 29, 2019
  • Pick of the Net: ‘Crowd Sauce’ by Tom Thum

    August 28, 2019
  • On the Way of The Showman: Clown Truth

    August 28, 2019
  • The Manifesto 30# – Kareena Hodgson

    August 26, 2019
  • Wunderage by Company 2 & Circus Oz – Carnival Cinema Photo Gallery

    August 15, 2019
  • The Manifesto 29# – Kareena Hodgson

    August 7, 2019
  • On the Way of The Showman: Secret knowledge & Me

    July 28, 2019
  • Diary from Philippe Gaulier’s Clown School: Day 1 – Ciara Thorburn

    July 26, 2019
  • The Common Thread: Web series by Darius Devas from ‘Being Here’ Films

    July 14, 2019
  • Amidst the Chaos – Behind the Scenes video series with Gravity & Other Myths

    July 10, 2019
  • The Manifesto 28# – Kareena Hodgson

    July 9, 2019
  • On the Way of The Showman: Explorations in the Kingdom of Childhood

    June 28, 2019
  • Autocannibal: Interview with Masha Terentieva & Mitch Jones

    June 26, 2019
  • FOLD: A Domestic Circus

    June 26, 2019
  • The Manifesto 27# – Kareena Hodgson

    June 25, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 8#

    June 24, 2019
  • Pick of the Net: Freyja & Conor Wild – Interviews – 7 Doights

    June 20, 2019
  • ‘Water Body’ – Photo Gallery & Interview. Aaron Walker

    June 13, 2019
  • Circus Garage Sale & Mentorship Facebook Page

    June 13, 2019
  • The Manifesto 26# – Kareena Hodgson

    June 13, 2019
  • Pick of the Net: Vintage Circus 2#

    June 13, 2019
  • Casus – DNA. Photo Gallery by Kate Pardey

    May 29, 2019
  • On the Way of The Showman: On Music

    May 28, 2019
  • Simi Genziuk’s new book – So She Did, The Story of May Wirth.

    May 28, 2019
  • The Manifesto 25# – Kareena Hodgson

    May 28, 2019
  • Pick of the Net: Lewie West Acro Impro

    May 24, 2019
  • World Acrobatics Magazine – Ralph Samuels

    May 15, 2019
  • The Manifesto 24# – Kareena Hodgson

    May 14, 2019
  • Pick of The Net: HALLELUJAH – A Circus/Queer Film [Gay Love, Hate & Religion.] by Matthew Richardson

    May 7, 2019
  • Warehouse Circus: Social Perspectives Video

    May 6, 2019
  • The Brunswick Picture House – The Birth of a Cultural Hub

    April 29, 2019
  • Gravity & Other Myths – Out Of Chaos, Adelaide Festival 2019

    April 29, 2019
  • On the Way of The Showman: Travel Log, April 2019

    April 28, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 7#

    April 28, 2019
  • The Manifesto 23# – Kareena Hodgson

    April 17, 2019
  • Rebel, Rouge & Shake it – Photo Gallery from Mark Turner

    April 3, 2019
  • Pick of the Net: Jiemba Sands rocking Instagram

    April 2, 2019
  • The Manifesto 22# – Kareena Hodgson

    April 2, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 6#

    April 1, 2019
  • On the Way of The Showman: Esoteric vs Exoteric Showman

    March 28, 2019
  • Interview with Trent ‘The Birdmann’ Baumann

    March 20, 2019
  • Interview with Lynne Kent

    March 19, 2019
  • The Manifesto 21# – Kareena Hodgson

    March 18, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 5#

    March 18, 2019
  • The Destiny Show Project by Contributing Photographer Aaron Walker

    March 17, 2019
  • Strawberry Siren Feature Interview

    March 5, 2019
  • Erasmus+ EDUCIRCATION: CIRCE partnership project by Marada Manussen (UK)

    March 3, 2019
  • Circus Cracks Open 2019 – Sand, Spin & Sin City by Simone O’Brien

    March 1, 2019
  • On the Way of The Showman: Get Your Act Together

    February 28, 2019
  • The Manifesto 20# – Kareena Hodgson

    February 27, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 4#

    February 26, 2019
  • Out of Chaos by Gravity & Other myths – BTS Photo Gallery

    February 13, 2019
  • Running a Circus Festival? How Hard Could it Be? by Ciara Thorburn

    February 13, 2019
  • The Manifesto 19# – Kareena Hodgson

    February 13, 2019
  • ‘Lost in Circus’ Video Series – Ken Fanning

    February 13, 2019
  • Spaghetti Circus Film 2018 by Performance Troupe Member Anais Stewart – Long

    February 13, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 3#

    February 12, 2019
  • Pick of The Net: Danny MacAskill – Industrial Revolutions

    February 11, 2019
  • Jess Love Interview

    January 30, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 2#

    January 29, 2019
  • The Manifesto 18# – Kareena Hodgson

    January 29, 2019
  • On the Way of The Showman: The Soul Spectacle

    January 28, 2019
  • Photo Gallery Teaser – Kate Pardey’s Exhibition: Showing Up

    January 28, 2019
  • Interview: Clare Bartholomew & Nicci Wilks – The Long Pigs

    January 16, 2019
  • The Manifesto 17# – Kareena Hodgson

    January 16, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 1#

    January 15, 2019
  • Western Australian Circus Festival – ‘Karnidale’ 2018 – Photo Gallery

    January 14, 2019
  • The Manifesto 16# – Kareena Hodgson

    January 2, 2019
  • On the Way of The Showman: End Times

    December 28, 2018
  • Carnival Cinema Flashback: KAGE – Team of Life 2014

    December 19, 2018
  • The Manifesto 15# – Kareena Hodgson

    December 19, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #6

    December 17, 2018
  • Pick of the Net: The Jovers (Wilfred & Fe Halliwell) 1980

    December 14, 2018
  • The Manifesto 14# – Kareena Hodgson

    December 6, 2018
  • ‘Perhaps Hope’ by Company Here & Now – Interview

    December 5, 2018
  • Pick of The Net: ‘Whats Right’ – Hugo Bladel

    December 3, 2018
  • Flipside Circus Celebrates 20 Years – Kristy Seymour

    November 30, 2018
  • On the Way of The Showman: ‘Again, With Feeling’

    November 28, 2018
  • The Manifesto 13# – Kareena Hodgson

    November 22, 2018
  • Alex Mizzen’s Invisible Things

    November 21, 2018
  • MT W∆RNING, ‘You & Me’ – Rehearsal X Life

    November 17, 2018
  • NICA : Class of 2018

    November 13, 2018
  • The Manifesto 12# – Kareena Hodgson

    November 9, 2018
  • Le Sacre, NICA Photo Gallery – Aaron Walker

    November 7, 2018
  • Resting B*tch Face, Brisbane 2017 – Words by Madeleine Grant & Pics by Hamish McCormick (Carnival Cinema)

    November 4, 2018
  • Pick of The Net: ‘Vintage’ Circus Women

    November 1, 2018
  • On The Way of The Showman: Night Off in Vegas

    October 28, 2018
  • The Manifesto 11# – Kareena Hodgson

    October 25, 2018
  • Mullum Music Festival – Photo Gallery

    October 23, 2018
  • From The Carnival Cinema Archives

    October 18, 2018
  • The Manifesto 10# – Kareena Hodgson

    October 17, 2018
  • Latest from Underground Media – Chris Bennet Film maker Contributor

    October 15, 2018
  • Kate Pardey Photo Gallery – Cirque Alfonse : Barbu 2016

    October 9, 2018
  • Art in The Hills

    October 8, 2018
  • Pick of The Net: Skye Gellmann ‘End Grain Installations’ 2017 (Japan)

    October 7, 2018
  • Backstage with Model Citizens : Words By Lucy Gamsby Frost & Photos by Luke David Kellett

    September 29, 2018
  • The Manifesto 9# – Kareena Hodgson

    September 28, 2018
  • On The Way of The Showman: Oversaturation

    September 28, 2018
  • Carnival Cinema Gathering Brisbane 2018

    September 27, 2018
  • The Manifesto 8# – Kareena Hodgson

    September 14, 2018
  • #Dragformation by Aaron Walker – Photography Feature

    September 11, 2018
  • Pic of the Week: Chad & Ben, Mullumbimby Circus Festival 2015

    September 10, 2018
  • Alex Mizzen – ‘Small Steps’ project 2015

    September 7, 2018
  • Pick of the net: Rudi Mineur (Snr) – The Art of The Minature

    September 5, 2018
  • The Manifesto 7# – Kareena Hodgson

    August 31, 2018
  • I wanna do that, What you do, How do I do that? by Adrienne Truscott

    August 30, 2018
  • On the way of the Showman: Time Travel

    August 29, 2018
  • Pick of The Net: ‘AutoCannibal’ – Mitch Jones (Creative Development Video)

    August 27, 2018
  • Pic of The Week: Laurie Hagen – Club Swizzle

    August 20, 2018
  • Pick of The Net: Storrorblog (Parkour)

    August 17, 2018
  • Club Swizzle X Carnival Cinema at the Roundhouse London

    August 17, 2018
  • Hideaway Circus Podcast (Brooklyn NY)

    August 17, 2018
  • The Manifesto 6# – Kareena Hodgson

    August 17, 2018
  • Pic of the Week: Hot Brown Honey

    August 13, 2018
  • Where do Women exist? By Simone O’Brien

    August 3, 2018
  • The Manifesto 5# – Kareena Hodgson

    August 3, 2018
  • The Manifesto 4# – Kareena Hodgson

    July 20, 2018
  • The Manifesto 3# – Kareena Hodgson

    July 8, 2018
  • Pick of The Net: Mojo Juju – Native Tongue

    July 7, 2018
  • On the Way of the Showman: Terms and Conditions

    June 28, 2018
  • The Manifesto 2# – Kareena Hodgson

    June 22, 2018
  • Pic of the Week: The Pitts Family Circus

    June 18, 2018
  • Carnival Cinema’s Melba Film Night

    June 8, 2018
  • The Manifesto 1# – Kareena Hodgson

    June 8, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #5

    June 1, 2018
  • Feature Interview: Kareena (Oates) Hodgson

    April 13, 2018
  • New! Carnival Cinema Merch – Patch

    April 3, 2018
  • Balance.

    March 29, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #4

    March 21, 2018
  • Malia Walsh – Feature Artist Interview

    March 13, 2018
  • WA Circus Festival – Life at the Circus Video Series

    January 29, 2018
  • Tales From The Training Room Floor – Episode #5: Pointe Adagio/Risley

    December 10, 2017
  • FALLOT (fä-ˈlō) – Photo Essay

    November 29, 2017
  • CircusTalk Social Network – An Interview with the Editor-in-Chief

    November 22, 2017
  • PARTY GHOST by POACHED EGGS AND ASPARAGUS – Interview

    November 16, 2017
  • The Syndicate Sideshow – Interview

    November 12, 2017
  • ‘Casting Off’ by A Good Catch @ Sidesault Festival – Interview

    November 9, 2017
  • Pick of The Net: Acts on The Paul Daniels Magic Show in 1985

    November 3, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #3

    November 2, 2017
  • Mullum Circus Festival 2017: Through The Carnival Cinema Lens

    October 26, 2017
  • Tales From The Training Room Floor – Episode #4: Rope (Corde Lisse)

    October 24, 2017
  • Pick of the Net: Annalise Chris Andre

    October 20, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #2

    October 9, 2017
  • Pick of The Net: CIRCUS LUNARTICS (Lunar Circus Documentary – 2001)

    September 29, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #1

    September 22, 2017
  • From The Carnival Cinema Archives: Derek Ives – ‘Bucket of Love’ 2007

    September 20, 2017
  • Tales From The Training Room Floor – Episode #3: Roue Cyr

    September 18, 2017
  • The Pitts Circus: The Movie – Interview with Director Ken Fanning

    September 3, 2017
  • Top 5# Tips – How to get over Jet lag quickly

    August 31, 2017
  • Tales From The Training Room Floor – Episode #2: Chairs & Training

    August 23, 2017
  • CIRCUS STARS: Circus and Autism- TEDX talk by Kristy Seymour

    August 16, 2017
  • The making of ‘Razor Baby’ – Club Swing 1998

    August 15, 2017
  • Tales From The Training Room Floor Ep #1: Washington Trapeze

    August 8, 2017
  • The Space Cowboy: Birth of The Million Volt Man

    August 4, 2017
  • Briefs Close Encounters

    July 30, 2017
  • Mullum Circus Festival 2001

    July 25, 2017
  • Carnival Cinema Archive – Laid Out

    July 20, 2017
  • Bush High Wire session: National Circus Festival 2011

    July 11, 2017
  • Circus Photographer & Film Maker Feature: Kimberley Brewster

    June 30, 2017
  • Circus Oz Presents Model Citizens

    June 17, 2017
  • Top 5# Tips – Juggling work and raising small children

    June 14, 2017
  • Featured Artist: Billie Wilson-Coffey

    June 12, 2017
  • Captain Frodo – The Way of the Showman: Video Series

    June 7, 2017
  • Gravity & Other Myths presents BACKBONE

    June 2, 2017
  • Featured Artists – Dan & Rhiannon Cave-Walker

    May 25, 2017

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