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Carnival Cinema

On the Way of The Showman

On the Way of The Showman: End Times

written by Carnival Cinema December 28, 2018

A regular Carnival Cinema column of showbiz life musings by Captain Frodo –

On the way of the Showman: ‘End Times’

By Captain Frodo

November 2018
I’m lying in bed in a hotel room. Alone. Again. I can’t sleep. It’s real early. Mind is racing. I’m on tour with an ex-cop turned mindreader. Its early November and autumn rains fly sideways past the yellow street light outside my window.
There’s an enormous beech tree in the parking lot outside. I didn’t notice it when we arrived last night. It was dark. Which, in Norway at this time of the year only, means we arrived after three o clock in the afternoon.
The tree is on fire with Autumn’s full spectrum of colour. It must be twenty-five meters tall. The shape of the crown is perfect in the classic outline a freestanding beech gets.
“Spectacular,” I think. Then swing my feet out of bed and head down for breakfast.

Falling in love and marrying an Australian girl means having family spread as far apart as earth makes it possible. For my little girl to see grandma and grandpa in Norway we need to take intercontinental flights. And paying for them. I didn’t think about that when I fell for her. At that point, I was only thinking of one thing and it wasn’t how far away my parents lived. She looked great on mySpace. Anyway, I needed to come up with a plan. Being a showman there’s only one Way.
Lets turn back time:
April 2013
My daughter was nine months old when she came to Norway the first time. We stayed with my Mother, Father, Sister and her family, for five months. During that time I heard there was a new face on the Haugesund showbiz scene. (It had been pretty much empty since I left it in 1995;-) His name was (and still is) Vidar Hansen and he was a policeman. That is, he’d been a policeman for fourteen years but had recently taken a leave of absence to pursue a career as a mentalist and human lie detector.
I watched him work and really liked it. He really looked like a cop, and not at all like a showman and that gave his feats of mentalism an air of effortless believability. His background was a mentalists wet dream. Genuine deep experience in the field of police investigations. Every mentalist worth his salt claims to have worked with the police, the FBI, or any other clandestine organization. Even if they, in reality, have only worked for them, once, as entertainment for a Christmas party. (I have worked for the Freemasons, thrice. Just saying)
Flash forward:
November 2018
I flew from Las Vegas to Haugesund with my daughter, leaving my wife to sample the fruits of sin city alone for a week. That week I’m juggling jet lag, a six-year-old, rehearsals, act creation, and media appointments. Luckily I had managed to get my daughter a spot in her cousins class. She was in a Way an exchange student, from the Steiner school in Vegas to the Steiner school where I spent 14 years of life. She loved the immersion in Norwegian.
I think growing up bilingual, knowing a language spoken by about five million people a world away, the only people she ever hears speaking that language loves her. In her mind, Norwegian is the language of love.
Vidar is straight as they come. Me, not quite. It’s a good mix. A straight man and a gag man. (I’m the gag man.) I’m a sword swallower so I have a well-developed gag reflex.
I wear the outfit of a mind reader. A red shiny turban, big and balmy with a huge white feather and a mink skull at the front. When I stand next to the Cop I look like the mind reader and he looks like the work for dole man.
It’s so easy to make folks laugh when you’re working someone who is a high-status body language expert with medals for being the cop that arresting the most criminals in all of Norway in one year.
One week after landing I have to leave my girl behind with my Norwegian family. It was a worse experience for me than her. I have to struggle to hold back tears as I drop her off at school. She runs straight into the classroom like its no big deal. She grabs a box of beeswax crayons and gets right to work. I watch her through the window for a second, clench my teeth. Then the Cop and I hit the mountain roads of Norway. I haven’t toured here since I was performing as Santini Jr in my dads magic show. The memories are triggered by the imposingly majestic nature of the wind beaten west coast.
The most memorable of our gigs is in a tiny hamlet deep in the heart of the fjordland. After three hours drive and two short ferry trips we arrive. The venue looks like something out of a David Lynch movie. An old spinnery surrounded by mountains, steep and high waterfalls splashing down forming a river that no doubt had a waterwheel in the olden days. By the time we’ve unloaded the car the dark is immediate and complete.
The room is the size and shape of a living room. It’s got no stage. It smells of tar and has a dark natural slate floor. There are just a dozen chairs set out in a semi-circle.
The Cop and I go upstairs to eat the food the organizer’s wife has made for us. A gaggle of young girls are having a dance class in the upstairs room. They get a break just as we start digging into the box of lovely homemade sandwiches and bowl of fruit. The girls pass through our room. They stop and there’s a real, “You’re not from around here,” look on their faces. Then one says “Can I have one of your bananas?”
“Sure,” I say. The rest also wanted fruit. They take it all. The last of them, who, like the Cop and I, didn’t get any fruit eyes off a salami sandwich. Then she shrugs and leaves.
Showtime comes around and in the last five minutes, eleven souls wander in from the dark. The youngest is four years old. She got to come up on stage. I channelled my family show run with Zirkus Barnly in Denmark earlier this year.
The eleven get SO into the show. I mean, imagine a mindreading cop and a crazy ass rubberman swallowing swords, quite literally having arrived direct from Las Vegas to their micro-village. It’s powerful stuff.
After the show, we shake hands with every single one of them. One of them, an old man comes up with tears in his eyes and tells me of his time doing theater in his youth.
“It’s a long time ago. I’m 87 now,” he says. “It was the Way you brought them all in. We all trusted you. Thank you.”
As he left I wipe away tears for the second time in two days. Its been emotional.
11 people is all it takes. The Way worked real magic in that place.
We drive back to the hotel and go straight to bed.


I’m lying in bed in a hotel room. Alone. Again. I can’t sleep. Its real early. Mind is racing. What am I doing with my life?
A loud machine starts up outside. There’s a man with a chainsaw in a cherry picker and another man in a tractor. One is cutting the huge beech tree down. The other is attaching a really long blue rope to the huge branches and pulls them away. By the time I’ve had a shower there’s nothing left but a stump.
“Maybe I need to get a proper education I think.” Then I head down for breakfast.

Happy Holidays, may the gigs be plentiful and may you find love and fulfilment in your work and your fellow travellers.
See you all along the Way.

 

Captain Frodo Pic by John W McCormick Carnival Cinema

 

Captain Frodo:

Master Showman, dad, husband.

Currently performing in Opium at The Cosmopolitan of Las Vegas.

(And Carnival Cinema Co-Founder)

 

 

 

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The way we do things around here is that regardless of Age, Gender, Sexuality, Ethnicity our philosophy and our logo stands for inclusion, safety, connection and family.

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On the Way of The Showman: End Times was last modified: January 16th, 2019 by Carnival Cinema

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    February 13, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 3#

    February 12, 2019
  • Pick of The Net: Danny MacAskill – Industrial Revolutions

    February 11, 2019
  • Jess Love Interview

    January 30, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 2#

    January 29, 2019
  • The Manifesto 18# – Kareena Hodgson

    January 29, 2019
  • On the Way of The Showman: The Soul Spectacle

    January 28, 2019
  • Photo Gallery Teaser – Kate Pardey’s Exhibition: Showing Up

    January 28, 2019
  • Interview: Clare Bartholomew & Nicci Wilks – The Long Pigs

    January 16, 2019
  • The Manifesto 17# – Kareena Hodgson

    January 16, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 1#

    January 15, 2019
  • Western Australian Circus Festival – ‘Karnidale’ 2018 – Photo Gallery

    January 14, 2019
  • The Manifesto 16# – Kareena Hodgson

    January 2, 2019
  • On the Way of The Showman: End Times

    December 28, 2018
  • Carnival Cinema Flashback: KAGE – Team of Life 2014

    December 19, 2018
  • The Manifesto 15# – Kareena Hodgson

    December 19, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #6

    December 17, 2018
  • Pick of the Net: The Jovers (Wilfred & Fe Halliwell) 1980

    December 14, 2018
  • The Manifesto 14# – Kareena Hodgson

    December 6, 2018
  • ‘Perhaps Hope’ by Company Here & Now – Interview

    December 5, 2018
  • Pick of The Net: ‘Whats Right’ – Hugo Bladel

    December 3, 2018
  • Flipside Circus Celebrates 20 Years – Kristy Seymour

    November 30, 2018
  • On the Way of The Showman: ‘Again, With Feeling’

    November 28, 2018
  • The Manifesto 13# – Kareena Hodgson

    November 22, 2018
  • Alex Mizzen’s Invisible Things

    November 21, 2018
  • MT W∆RNING, ‘You & Me’ – Rehearsal X Life

    November 17, 2018
  • NICA : Class of 2018

    November 13, 2018
  • The Manifesto 12# – Kareena Hodgson

    November 9, 2018
  • Le Sacre, NICA Photo Gallery – Aaron Walker

    November 7, 2018
  • Resting B*tch Face, Brisbane 2017 – Words by Madeleine Grant & Pics by Hamish McCormick (Carnival Cinema)

    November 4, 2018
  • Pick of The Net: ‘Vintage’ Circus Women

    November 1, 2018
  • On The Way of The Showman: Night Off in Vegas

    October 28, 2018
  • The Manifesto 11# – Kareena Hodgson

    October 25, 2018
  • Mullum Music Festival – Photo Gallery

    October 23, 2018
  • From The Carnival Cinema Archives

    October 18, 2018
  • The Manifesto 10# – Kareena Hodgson

    October 17, 2018
  • Latest from Underground Media – Chris Bennet Film maker Contributor

    October 15, 2018
  • Kate Pardey Photo Gallery – Cirque Alfonse : Barbu 2016

    October 9, 2018
  • Art in The Hills

    October 8, 2018
  • Pick of The Net: Skye Gellmann ‘End Grain Installations’ 2017 (Japan)

    October 7, 2018
  • Backstage with Model Citizens : Words By Lucy Gamsby Frost & Photos by Luke David Kellett

    September 29, 2018
  • The Manifesto 9# – Kareena Hodgson

    September 28, 2018
  • On The Way of The Showman: Oversaturation

    September 28, 2018
  • Carnival Cinema Gathering Brisbane 2018

    September 27, 2018
  • The Manifesto 8# – Kareena Hodgson

    September 14, 2018
  • #Dragformation by Aaron Walker – Photography Feature

    September 11, 2018
  • Pic of the Week: Chad & Ben, Mullumbimby Circus Festival 2015

    September 10, 2018
  • Alex Mizzen – ‘Small Steps’ project 2015

    September 7, 2018
  • Pick of the net: Rudi Mineur (Snr) – The Art of The Minature

    September 5, 2018
  • The Manifesto 7# – Kareena Hodgson

    August 31, 2018
  • I wanna do that, What you do, How do I do that? by Adrienne Truscott

    August 30, 2018
  • On the way of the Showman: Time Travel

    August 29, 2018
  • Pick of The Net: ‘AutoCannibal’ – Mitch Jones (Creative Development Video)

    August 27, 2018
  • Pic of The Week: Laurie Hagen – Club Swizzle

    August 20, 2018
  • Pick of The Net: Storrorblog (Parkour)

    August 17, 2018
  • Club Swizzle X Carnival Cinema at the Roundhouse London

    August 17, 2018
  • Hideaway Circus Podcast (Brooklyn NY)

    August 17, 2018
  • The Manifesto 6# – Kareena Hodgson

    August 17, 2018
  • Pic of the Week: Hot Brown Honey

    August 13, 2018
  • Where do Women exist? By Simone O’Brien

    August 3, 2018
  • The Manifesto 5# – Kareena Hodgson

    August 3, 2018
  • The Manifesto 4# – Kareena Hodgson

    July 20, 2018
  • The Manifesto 3# – Kareena Hodgson

    July 8, 2018
  • Pick of The Net: Mojo Juju – Native Tongue

    July 7, 2018
  • On the Way of the Showman: Terms and Conditions

    June 28, 2018
  • The Manifesto 2# – Kareena Hodgson

    June 22, 2018
  • Pic of the Week: The Pitts Family Circus

    June 18, 2018
  • Carnival Cinema’s Melba Film Night

    June 8, 2018
  • The Manifesto 1# – Kareena Hodgson

    June 8, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #5

    June 1, 2018
  • Feature Interview: Kareena (Oates) Hodgson

    April 13, 2018
  • New! Carnival Cinema Merch – Patch

    April 3, 2018
  • Balance.

    March 29, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #4

    March 21, 2018
  • Malia Walsh – Feature Artist Interview

    March 13, 2018
  • WA Circus Festival – Life at the Circus Video Series

    January 29, 2018
  • Tales From The Training Room Floor – Episode #5: Pointe Adagio/Risley

    December 10, 2017
  • FALLOT (fä-ˈlō) – Photo Essay

    November 29, 2017
  • CircusTalk Social Network – An Interview with the Editor-in-Chief

    November 22, 2017
  • PARTY GHOST by POACHED EGGS AND ASPARAGUS – Interview

    November 16, 2017
  • The Syndicate Sideshow – Interview

    November 12, 2017
  • ‘Casting Off’ by A Good Catch @ Sidesault Festival – Interview

    November 9, 2017
  • Pick of The Net: Acts on The Paul Daniels Magic Show in 1985

    November 3, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #3

    November 2, 2017
  • Mullum Circus Festival 2017: Through The Carnival Cinema Lens

    October 26, 2017
  • Tales From The Training Room Floor – Episode #4: Rope (Corde Lisse)

    October 24, 2017
  • Pick of the Net: Annalise Chris Andre

    October 20, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #2

    October 9, 2017
  • Pick of The Net: CIRCUS LUNARTICS (Lunar Circus Documentary – 2001)

    September 29, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #1

    September 22, 2017
  • From The Carnival Cinema Archives: Derek Ives – ‘Bucket of Love’ 2007

    September 20, 2017
  • Tales From The Training Room Floor – Episode #3: Roue Cyr

    September 18, 2017
  • The Pitts Circus: The Movie – Interview with Director Ken Fanning

    September 3, 2017
  • Top 5# Tips – How to get over Jet lag quickly

    August 31, 2017
  • Tales From The Training Room Floor – Episode #2: Chairs & Training

    August 23, 2017
  • CIRCUS STARS: Circus and Autism- TEDX talk by Kristy Seymour

    August 16, 2017
  • The making of ‘Razor Baby’ – Club Swing 1998

    August 15, 2017
  • Tales From The Training Room Floor Ep #1: Washington Trapeze

    August 8, 2017
  • The Space Cowboy: Birth of The Million Volt Man

    August 4, 2017
  • Briefs Close Encounters

    July 30, 2017
  • Mullum Circus Festival 2001

    July 25, 2017
  • Carnival Cinema Archive – Laid Out

    July 20, 2017
  • Bush High Wire session: National Circus Festival 2011

    July 11, 2017
  • Circus Photographer & Film Maker Feature: Kimberley Brewster

    June 30, 2017
  • Circus Oz Presents Model Citizens

    June 17, 2017
  • Top 5# Tips – Juggling work and raising small children

    June 14, 2017
  • Featured Artist: Billie Wilson-Coffey

    June 12, 2017
  • Gravity & Other Myths presents BACKBONE

    June 2, 2017
  • Featured Artists – Dan & Rhiannon Cave-Walker

    May 25, 2017

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