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Carnival Cinema

On the Way of The Showman

On the Way of The Showman: The Soul Spectacle

written by Carnival Cinema January 28, 2019

A regular Carnival Cinema column of showbiz life musings by Captain Frodo –

On the way of the Showman: ‘The Soul Spectacle’

By Captain Frodo

The Soul Spectacle

An Illuminated Showman’s Act, is a manifestation of his inner development. The Act is not only the demonstration of his mastery of the Craft, but it is also an exoteric expression of his soul. The Act demonstrates, on a deeper level his understanding of life, vocation, enthusiasm, attention, culture, craft, and the individual’s place in it all. The performance beams all this, from the heart of the Illuminated Showman into the Crowd’s Eye.

The Crowds Eye is different from the spectator’s individual eyes. The Crowd’s Eye is their collective eye, the group’s Third Eye, if you will. It is not physically manifested off course. It is a state of collective perception that emerges when a Crowd has been so completely engaged that each individual loses some of their individuality and gives themselves over to the group self. They no longer think about their outward appearance or how they are perceived to others. They are no longer self-conscious. Physical traits that indicate individuals have reached this state can be extreme animations of facial expressions, like young children spectators begin mirroring the minute changes in their emotions with their faces. This creates a stream of expressions, something a regular adult normally refrains from. The spectator “wears their heart on their sleeve”. Other signs visible to the Showman from the stage are mouths left agape, hands, or whole awkward body postures frozen in mid-gesture for extended periods of time.

The Act and the Showman’s soul are intrinsically linked like two sides of a coin, each reflecting the other. Each performance of the Act becomes, whether intended or not, a reflection of the showman, his maturity as an artist, technician of the Craft, and human being.

The reflections of the inner development will always be present in the Act. Yet brilliance is achieved through focused work. An important aspect of the Craft is to refine the facets of the show lens to project the soul with the utmost clarity and vividness. This work on the Act becomes work on oneself.

 

Whatever form the Act takes, be it a vaudeville act with 8 minutes of brilliance, or a full evening show of grand razzle-dazzle and epic proportions, the work is in perpetual development. Most commonly the Soul Spectacle is an act as opposed to a full-length show. A longer performance is more complex and harder to perfect. The relationship is like between a short story and a novel, or an essay and a fleshed out book-length thesis. Sometimes the story or ideas are so rich and complex that they can only be expressed in one hour then the work must and will be done on the long form Act.

The nature of the Soul Spectacle lends itself to the simplicity of expression. Every Crowd is different and getting them Unified and receptive to the full impact of your Act becomes more difficult with the longer forms with its extended complexity.

Everything can always be improved and refined. There is always more work to be done, more detail and layers to be added and things to change. Perfection is unattainable but non the less the goal.

The material in the Act changes over time, the presentation evolves, new skills are added or subtracted. The Act’s constant development, reflects the growth and change of the performer. The skills presented develops and thus the technical aspects grows. The meaningful content of the show grows as the Man presenting the Act grows. The Showman’s experiences and knowledge of the world gets focused and presented.

The ShowMan Shows Man Man.

As life itself is endless in its permutations and complexity, so is its expressions through the individual Showman’s Soul Spectacle.

New knowledge has a snowballing effect. The more you learn the more you elevate yourself and thus you see further. The effect of reaching a new peak, great as it is, is to see further into the vastness of your own ignorance. What you don’t know fills libraries, fills the entire universe. Encounters of one’s limitations produces a humbling effect, which eventually, softens the individual’s drive towards separation and solipsism. Triumphs, tragedies, insights, illuminations, and life lived, shapes us and becomes part of us, and is thus reflected in our Soul Spectacle.

The Soul Spectacle is the product of initiations and developments along the Way of the Showman. The study of the Craft, the skills displayed, the presentation of the Material,  the Way to Connect with the Crowd, Unifying the Crowd, manifesting the Crowd’s Eye, the philosophical themes, the tone, the character, the thoughts presented. The Great Work undertaken to understand and develop the individual human personal aspects of a Showman, the esoteric studies of the One Who Faces the Other Way and his place in the world, all this, the sum total exists in the Soul Spectacle. It is all there for the Crowd to witnesses as the Showman showcases his Master Piece Act.

Alchemical Showmanship

The Act is to a Showman what chemistry was to the Alchemist. It is the medium of expression and their point of interaction with the world. It is what they do, their field of study, their work, their living and their life. For the Showman the chemicals are substituted by human beings. The Showman’s medium is human attention, perception and experience.

We can gain insight into the phenomenon of the Soul Spectacle by looking at it side by side with the alchemist’s so-called Great Work, their ultimate aim, the creation of the philosopher’s stone.

The philosopher’s stone is a legendary substance, allegedly capable of turning inexpensive metals into gold. For a long time, it was the most sought-after goal in Western alchemy. In the view of spiritual alchemy, the philosopher’s stone is a symbol representing the final outcome of man’s inner transformation. Succeeding in its creation would be synonymous with a state of enlightenment in the maker, thus concluding the alchemist’s Great Work.

The Way of the Showman is a process of creating, with mastery of the Craft, and basic physical and interactive skills, a higher, inspiring experience, a display which materialises truth, enriches and elevates the human experience. To the point that it pushes humanity’s understanding of the world and their place in it forward by transmuting what is not yet understood into images, experiences, and drama for Crowd’s to see. The Soul Spectacle is a manifestation of the evolution of consciousness, the becoming of an individual, and it tells the story in the alchemy of time.

The Act is the visible in-the-world product, of those who follow the Way of the Showman. It is not itself a final outcome, the Act is not what is intended to become gold, the act, like the philosopher’s stone is the catalyst for metamorphosis.

The creation of the Act is the transmutation of the Showman into a source of Illumination. A shining gold star. Yet, this is only the first two steps. The final step, and the real goal of the Act, is not just to illuminate the Way of the individual Showman, it is the Illumination of the Crowd. It is here we find the Act becoming the fulfilment of the Illuminated Showman’s purpose, his reason d’être. It ties him into the great web of life and human existence giving his own existence meaning. It gives him his place in the world.

All the rehearsals, all the time spent synthesising experiences makes sense when the Crowd’s Eye takes in the performance of the Act. As the true connection between the Showman and the Crowd is established the Act become the catalyst for the transfiguration of the Crowd. The Act becomes a Seed that enters into each spectator’s open heart. As the seed sinks in, it shoots roots and sprouts, thus beginning the transformation of the Crowd’s hearts into gold.

This is the alchemical nature of the Soul Spectacle and Secret Showmanship.

See you all along the Way.

Captain Frodo Pic by John W McCormick Carnival Cinema

 

Captain Frodo:

Master Showman, dad, husband.

Currently performing in Opium at The Cosmopolitan of Las Vegas.

(And Carnival Cinema Co-Founder)

 

 

 

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The way we do things around here is that regardless of Age, Gender, Sexuality, Ethnicity our philosophy and our logo stands for inclusion, safety, connection and family.

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On the Way of The Showman: The Soul Spectacle was last modified: January 28th, 2019 by Carnival Cinema

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    February 13, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 3#

    February 12, 2019
  • Pick of The Net: Danny MacAskill – Industrial Revolutions

    February 11, 2019
  • Jess Love Interview

    January 30, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 2#

    January 29, 2019
  • The Manifesto 18# – Kareena Hodgson

    January 29, 2019
  • On the Way of The Showman: The Soul Spectacle

    January 28, 2019
  • Photo Gallery Teaser – Kate Pardey’s Exhibition: Showing Up

    January 28, 2019
  • Interview: Clare Bartholomew & Nicci Wilks – The Long Pigs

    January 16, 2019
  • The Manifesto 17# – Kareena Hodgson

    January 16, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 1#

    January 15, 2019
  • Western Australian Circus Festival – ‘Karnidale’ 2018 – Photo Gallery

    January 14, 2019
  • The Manifesto 16# – Kareena Hodgson

    January 2, 2019
  • On the Way of The Showman: End Times

    December 28, 2018
  • Carnival Cinema Flashback: KAGE – Team of Life 2014

    December 19, 2018
  • The Manifesto 15# – Kareena Hodgson

    December 19, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #6

    December 17, 2018
  • Pick of the Net: The Jovers (Wilfred & Fe Halliwell) 1980

    December 14, 2018
  • The Manifesto 14# – Kareena Hodgson

    December 6, 2018
  • ‘Perhaps Hope’ by Company Here & Now – Interview

    December 5, 2018
  • Pick of The Net: ‘Whats Right’ – Hugo Bladel

    December 3, 2018
  • Flipside Circus Celebrates 20 Years – Kristy Seymour

    November 30, 2018
  • On the Way of The Showman: ‘Again, With Feeling’

    November 28, 2018
  • The Manifesto 13# – Kareena Hodgson

    November 22, 2018
  • Alex Mizzen’s Invisible Things

    November 21, 2018
  • MT W∆RNING, ‘You & Me’ – Rehearsal X Life

    November 17, 2018
  • NICA : Class of 2018

    November 13, 2018
  • The Manifesto 12# – Kareena Hodgson

    November 9, 2018
  • Le Sacre, NICA Photo Gallery – Aaron Walker

    November 7, 2018
  • Resting B*tch Face, Brisbane 2017 – Words by Madeleine Grant & Pics by Hamish McCormick (Carnival Cinema)

    November 4, 2018
  • Pick of The Net: ‘Vintage’ Circus Women

    November 1, 2018
  • On The Way of The Showman: Night Off in Vegas

    October 28, 2018
  • The Manifesto 11# – Kareena Hodgson

    October 25, 2018
  • Mullum Music Festival – Photo Gallery

    October 23, 2018
  • From The Carnival Cinema Archives

    October 18, 2018
  • The Manifesto 10# – Kareena Hodgson

    October 17, 2018
  • Latest from Underground Media – Chris Bennet Film maker Contributor

    October 15, 2018
  • Kate Pardey Photo Gallery – Cirque Alfonse : Barbu 2016

    October 9, 2018
  • Art in The Hills

    October 8, 2018
  • Pick of The Net: Skye Gellmann ‘End Grain Installations’ 2017 (Japan)

    October 7, 2018
  • Backstage with Model Citizens : Words By Lucy Gamsby Frost & Photos by Luke David Kellett

    September 29, 2018
  • The Manifesto 9# – Kareena Hodgson

    September 28, 2018
  • On The Way of The Showman: Oversaturation

    September 28, 2018
  • Carnival Cinema Gathering Brisbane 2018

    September 27, 2018
  • The Manifesto 8# – Kareena Hodgson

    September 14, 2018
  • #Dragformation by Aaron Walker – Photography Feature

    September 11, 2018
  • Pic of the Week: Chad & Ben, Mullumbimby Circus Festival 2015

    September 10, 2018
  • Alex Mizzen – ‘Small Steps’ project 2015

    September 7, 2018
  • Pick of the net: Rudi Mineur (Snr) – The Art of The Minature

    September 5, 2018
  • The Manifesto 7# – Kareena Hodgson

    August 31, 2018
  • I wanna do that, What you do, How do I do that? by Adrienne Truscott

    August 30, 2018
  • On the way of the Showman: Time Travel

    August 29, 2018
  • Pick of The Net: ‘AutoCannibal’ – Mitch Jones (Creative Development Video)

    August 27, 2018
  • Pic of The Week: Laurie Hagen – Club Swizzle

    August 20, 2018
  • Pick of The Net: Storrorblog (Parkour)

    August 17, 2018
  • Club Swizzle X Carnival Cinema at the Roundhouse London

    August 17, 2018
  • Hideaway Circus Podcast (Brooklyn NY)

    August 17, 2018
  • The Manifesto 6# – Kareena Hodgson

    August 17, 2018
  • Pic of the Week: Hot Brown Honey

    August 13, 2018
  • Where do Women exist? By Simone O’Brien

    August 3, 2018
  • The Manifesto 5# – Kareena Hodgson

    August 3, 2018
  • The Manifesto 4# – Kareena Hodgson

    July 20, 2018
  • The Manifesto 3# – Kareena Hodgson

    July 8, 2018
  • Pick of The Net: Mojo Juju – Native Tongue

    July 7, 2018
  • On the Way of the Showman: Terms and Conditions

    June 28, 2018
  • The Manifesto 2# – Kareena Hodgson

    June 22, 2018
  • Pic of the Week: The Pitts Family Circus

    June 18, 2018
  • Carnival Cinema’s Melba Film Night

    June 8, 2018
  • The Manifesto 1# – Kareena Hodgson

    June 8, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #5

    June 1, 2018
  • Feature Interview: Kareena (Oates) Hodgson

    April 13, 2018
  • New! Carnival Cinema Merch – Patch

    April 3, 2018
  • Balance.

    March 29, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #4

    March 21, 2018
  • Malia Walsh – Feature Artist Interview

    March 13, 2018
  • WA Circus Festival – Life at the Circus Video Series

    January 29, 2018
  • Tales From The Training Room Floor – Episode #5: Pointe Adagio/Risley

    December 10, 2017
  • FALLOT (fä-ˈlō) – Photo Essay

    November 29, 2017
  • CircusTalk Social Network – An Interview with the Editor-in-Chief

    November 22, 2017
  • PARTY GHOST by POACHED EGGS AND ASPARAGUS – Interview

    November 16, 2017
  • The Syndicate Sideshow – Interview

    November 12, 2017
  • ‘Casting Off’ by A Good Catch @ Sidesault Festival – Interview

    November 9, 2017
  • Pick of The Net: Acts on The Paul Daniels Magic Show in 1985

    November 3, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #3

    November 2, 2017
  • Mullum Circus Festival 2017: Through The Carnival Cinema Lens

    October 26, 2017
  • Tales From The Training Room Floor – Episode #4: Rope (Corde Lisse)

    October 24, 2017
  • Pick of the Net: Annalise Chris Andre

    October 20, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #2

    October 9, 2017
  • Pick of The Net: CIRCUS LUNARTICS (Lunar Circus Documentary – 2001)

    September 29, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #1

    September 22, 2017
  • From The Carnival Cinema Archives: Derek Ives – ‘Bucket of Love’ 2007

    September 20, 2017
  • Tales From The Training Room Floor – Episode #3: Roue Cyr

    September 18, 2017
  • The Pitts Circus: The Movie – Interview with Director Ken Fanning

    September 3, 2017
  • Top 5# Tips – How to get over Jet lag quickly

    August 31, 2017
  • Tales From The Training Room Floor – Episode #2: Chairs & Training

    August 23, 2017
  • CIRCUS STARS: Circus and Autism- TEDX talk by Kristy Seymour

    August 16, 2017
  • The making of ‘Razor Baby’ – Club Swing 1998

    August 15, 2017
  • Tales From The Training Room Floor Ep #1: Washington Trapeze

    August 8, 2017
  • The Space Cowboy: Birth of The Million Volt Man

    August 4, 2017
  • Briefs Close Encounters

    July 30, 2017
  • Mullum Circus Festival 2001

    July 25, 2017
  • Carnival Cinema Archive – Laid Out

    July 20, 2017
  • Bush High Wire session: National Circus Festival 2011

    July 11, 2017
  • Circus Photographer & Film Maker Feature: Kimberley Brewster

    June 30, 2017
  • Circus Oz Presents Model Citizens

    June 17, 2017
  • Top 5# Tips – Juggling work and raising small children

    June 14, 2017
  • Featured Artist: Billie Wilson-Coffey

    June 12, 2017
  • Gravity & Other Myths presents BACKBONE

    June 2, 2017
  • Featured Artists – Dan & Rhiannon Cave-Walker

    May 25, 2017

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