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Carnival Cinema

Interviews & Articles

Interview with Lynne Kent

written by Hamish McCormick March 19, 2019

Lynne Kent – Artist, Researcher and Collaborator

Tell us about the pathway that led you to the puppetry you’re working on now and any other art you’re making these days?

At the moment and for the last couple of years I have been working on creative collaborations across cultures, artforms, companies and individual artists. I learn a lot when I work with other artists who are not necessarily puppet theatre people. Often these projects are initiated by others, not by me so when someone asks me to make something with them, I say, yes! One of the current collaborations is a project called Marine Ostinato for the Australian Ceramics Triennial in Hobart in May with ceramicist Shannon Garson, cellist Louise King and video artist Jen Brown. We are creating a performance/installation with shadow images and music and ceramics turning traditional craft into a sophisticated performance art work. I have always been interested in transforming simple everyday things like shadow images and objects into something quite magical. This comes from early experiences seeing animation and puppetry and feeling a sense of wonder. These experiences led to me wanting to create a sense of magic for an audience.


What does your current work entail, tell us a bit about the current project(s) you are working on?

Creative collaborations require a lot of talking through the different processes or language that each company or artist has, asking lots of questions and listening to each other. An example of this is a collaboration I worked on last year with Terrapin Puppet Theatre and the Haya Cultural Centre in Amman Jordan. We wanted to co-create a children’s theatre production using shadow and objects but started from scratch with conversations and play. I love the risk that this involves. We made a show called Now and Tomorrow with two Jordanian actors that I hope will come to Australia one day. It will be interesting to see it with an Australian audience of children. Often I work as a consultant designing and making shadow images and working with directors and performers who want to use shadow imagery in their productions but need expertise to make it happen so I ask a lot of questions like, why do you want to use shadow? what is the screen? what does the screen represent? what is the space? Most recently I have been directing shows with actors, circus performers and puppeteers and I have really loved directing. I get to be creative and use my experience and knowledge without busting my body to get results.


The day to day role you have is an interesting one with a number of layers – Can you talk on navigating the line between any contradictions or tensions in your role?

Obvious tensions in the theatre are lack of time and money. Puppet theatre particularly requires creative development time to make mock puppets and screens so that the construction of puppets can be made prior to rehearsal. There is no point making a puppet only to find that the director has decided not to use it when it comes to rehearsal.
There are many tensions when working with others in the theatre and some of them are fruitful exchanges of ideas. I have explored the tensions in my own work between the organic, primitive shadow image and the digital image in my PhD research and discovered that the shadow theatre has much to offer new media performance. Sometimes what might at first seem like a conflict actually pushes the work in a new direction. I enjoyed working with Sam Routledge from Terrapin, for example, because he is not afraid to test ideas and interrogate why something doesn’t feel right in order to get at something that does feel right or look right. So, I have come to think of tensions as important points of exchange in the work that need to be examined in order to produce something that has meaning.

What are some of the negatives and positives in being in your current role?

The positive aspects of collaboration mean that unexpected connections happen and it is always exciting to be surprised. Last year I directed 6 very talented circus performers in a collaboration with community brass bands in regional Victorian towns as part of the ANZAC Centenary to tell the stories of stretcher bearers in WW1. It was a joy to watch the process of circus and brass combine to perform outside in regional towns. It was a circus street show of a high quality that reminded me of Circus Monoxide.
The negative aspect of being a puppet theatre maker/director is that there is always stuff in the back of my car, junk that could be made into something or that was something or that could look interesting in shadow, like the mesh that mandarins are often sold in- it looks great under a torch!

Who are the collaborators or people you’re close to that you feel most supported by?

I feel supported by those friends and colleagues who I have known for a long time and who know my work. I feel that they trust that I can deliver.

Which community/tribe(s) do you feel most connected to?

Theatre people. I don’t think I belong to the circus community because I am not circus trained but each time I work in circus I am welcomed. Last year I designed and made shadow puppets for Rock Bang with Circus Oz and Otto and Astrid and I love the idea that a little bit of me is touring with them and connected to circus in some way. The fact that you have each other’s lives in your hands, makes circus community and groups strong, something that is not always the case in other artforms.

What’s it’s like living and working in the geographic place you are at the moment?

I live and work in Melbourne and sometimes work elsewhere. It can be hard living in Melbourne, it is expensive but it is where the work is.

Can you tell us a bit about why puppetry appealed to you at the very beginning when you started?

With puppetry, I always felt like I could be anything, go anywhere, that it is only limited by the imagination. It has been said that puppets can and should do what actors cannot. So it was the endless possibilities available with puppets that attracted me. When I was in school, I did work experience in a puppet theatre and then got my first job in that theatre touring a show for children. Puppets can die a thousand deaths and be reborn, they can be violent in a way that the human body can only portray in an abstract way or corny unrealistic way on stage. Puppets can magically transform into other things. This was exciting to be back when I first started and still is.

Can you talk us through the steps of the process (physical & mental) you use to do the thing you do.

I am constantly looking for life in things. That means picking things up and seeing what kind of movement I can get out of an object or a puppet, even simple things like a tissue can offer an idea for a character. When I direct shows I am looking to use props in every way I can. I only want things on stage that can have multiple uses so my first process is to think about the shape, size, weight and material of the thing and to think about all the other things it could be on stage. An example of this is in the Armistice show with circus and community brass band I mentioned. I thought about stretchers and the possibilities of using them as trenches, as bodies falling, as screens to project onto and then when the performers came, we explored all the things you can do with the body and a stretcher and bodies and what those shapes mean. When an object is used in multiple ways, it can surprise an audience and that is often my aim.

When you work, much of what you do draws on materials and construction. What’s that like for you?

Yes, I am interested in the materiality of things and how much that determines character and movement and the relationship between human and non-human. The texture of foam for example, offers different possibilities to metal or wood. I have asked other puppeteers about their relationship to material and published those interviews as podcasts (www.thingmaking.net) as it is a very intimate relationship that a puppeteer has to an object or material. I love broken things or abandoned objects they have a story that seems like it is waiting to be told. I can’t go past a hard rubbish collection. Imperfection is so much more engaging to work with and look at than something new and flawless.

We’re interested in the therapeutic connection between work and self. What about what you do feeds your inner self? If at all?

Mmm I am not sure about this question as work is work for me. I love working but I don’t see it as therapy at all. I like snorkeling, that’s something I might do to relax and experience beauty.

If so which do you find more therapeutic? The process or the performance/execution? Why?
We think there’s bravery in revealing our shadow self (no pun intended), particularly when making original work. What do you think about that?

I am not sure about this question. Of course, there is bravery in what artists do. How much artists reveal of themselves in and through the work varies but I don’t think we can separate ourselves completely from what we make. More and more I want my work to have meaning, for me and for an audience. So, yes it is brave to show an audience something that matters to you but you have to let it go as well.

What’s one positive development you would like to see in the future of the Australian Physical Theatre/Puppetry/Circus scene?

Circus has what looks like a healthy environment of training opportunities and companies that provide programs to encourage new talent but puppetry in Australia is in a dismal state. Currently, there is no full-time study available in Australia for puppetry and related arts. Companies such as Spare Parts in Perth provide short courses in puppetry and employ some people so I would like to see a training centre and Australian puppet theatre shows prioritised over any from overseas. We have some great small puppet theatre companies in Australia and they deserve to be nurtured and given more opportunities to showcase their work at major venues. I would love to see a national puppet festival or a few smaller puppet theatre festivals where local puppeteers can showcase their work, have panel discussions and workshops and meet each other and share resources and ideas. I would like to see large venue arts programmers preference Australian puppet theatre over international artists because we have huge talent here and I get annoyed when I see an international work that could really have been done by an Australian independent puppet theatre company.

Lynne Kent

Lynne Kent is an Artist, Researcher and Collaborator based in Melbourne, Australia. With a background in contemporary shadow puppet theatre, Lynne has toured, trained and collaborated with various companies across Australia and internationally including; Terrapin Puppet Theatre, Circus Oz, The Victorian Opera, Arts Centre Melbourne, Erth Visual & Physical Inc, ArtPlay and The City of Melbourne. In 2018 Lynne travelled to Jordan to create Now and Tomorrow with Terrapin and The Haya Cultural Centre in Amman and directed touring shows for the ANZAC Centenary with The Victorian Department of Premier and Cabinet. Her work incorporates digital imagery, object theatre and shadow theatre. Lynne has a practice led PhD. Kent’s PhD thesis title, Mesh Theatre: The Intermedial Life of Images, Objects and Puppets, engages in interdisciplinary dialogue across the fields of new materialism, digital media, screen studies, theatre and performance. Her work can be seen and heard at www.thingmaking.net

 

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Interview with Lynne Kent was last modified: March 20th, 2019 by Hamish McCormick

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  • The Manifesto 24# – Kareena Hodgson

    May 14, 2019
  • Warehouse Circus: Social Perspectives Video

    May 6, 2019
  • The Brunswick Picture House – The Birth of a Cultural Hub

    April 29, 2019
  • Gravity & Other Myths – Out Of Chaos, Adelaide Festival 2019

    April 29, 2019
  • On the Way of The Showman: Travel Log, April 2019

    April 28, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 7#

    April 28, 2019
  • The Manifesto 23# – Kareena Hodgson

    April 17, 2019
  • Rebel, Rouge & Shake it – Photo Gallery from Mark Turner

    April 3, 2019
  • Pick of the Net: Jiemba Sands rocking Instagram

    April 2, 2019
  • The Manifesto 22# – Kareena Hodgson

    April 2, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 6#

    April 1, 2019
  • On the Way of The Showman: Esoteric vs Exoteric Showman

    March 28, 2019
  • Interview with Trent ‘The Birdmann’ Baumann

    March 20, 2019
  • Interview with Lynne Kent

    March 19, 2019
  • The Manifesto 21# – Kareena Hodgson

    March 18, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 5#

    March 18, 2019
  • The Destiny Show Project by Contributing Photographer Aaron Walker

    March 17, 2019
  • Strawberry Siren Feature Interview

    March 5, 2019
  • Erasmus+ EDUCIRCATION: CIRCE partnership project by Marada Manussen (UK)

    March 3, 2019
  • Circus Cracks Open 2019 – Sand, Spin & Sin City by Simone O’Brien

    March 1, 2019
  • On the Way of The Showman: Get Your Act Together

    February 28, 2019
  • The Manifesto 20# – Kareena Hodgson

    February 27, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 4#

    February 26, 2019
  • Out of Chaos by Gravity & Other myths – BTS Photo Gallery

    February 13, 2019
  • Running a Circus Festival? How Hard Could it Be? by Ciara Thorburn

    February 13, 2019
  • The Manifesto 19# – Kareena Hodgson

    February 13, 2019
  • ‘Lost in Circus’ Video Series – Ken Fanning

    February 13, 2019
  • Spaghetti Circus Film 2018 by Performance Troupe Member Anais Stewart – Long

    February 13, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 3#

    February 12, 2019
  • Pick of The Net: Danny MacAskill – Industrial Revolutions

    February 11, 2019
  • Jess Love Interview

    January 30, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 2#

    January 29, 2019
  • The Manifesto 18# – Kareena Hodgson

    January 29, 2019
  • On the Way of The Showman: The Soul Spectacle

    January 28, 2019
  • Photo Gallery Teaser – Kate Pardey’s Exhibition: Showing Up

    January 28, 2019
  • Interview: Clare Bartholomew & Nicci Wilks – The Long Pigs

    January 16, 2019
  • The Manifesto 17# – Kareena Hodgson

    January 16, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 1#

    January 15, 2019
  • Western Australian Circus Festival – ‘Karnidale’ 2018 – Photo Gallery

    January 14, 2019
  • The Manifesto 16# – Kareena Hodgson

    January 2, 2019
  • On the Way of The Showman: End Times

    December 28, 2018
  • Carnival Cinema Flashback: KAGE – Team of Life 2014

    December 19, 2018
  • The Manifesto 15# – Kareena Hodgson

    December 19, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #6

    December 17, 2018
  • Pick of the Net: The Jovers (Wilfred & Fe Halliwell) 1980

    December 14, 2018
  • The Manifesto 14# – Kareena Hodgson

    December 6, 2018
  • ‘Perhaps Hope’ by Company Here & Now – Interview

    December 5, 2018
  • Pick of The Net: ‘Whats Right’ – Hugo Bladel

    December 3, 2018
  • Flipside Circus Celebrates 20 Years – Kristy Seymour

    November 30, 2018
  • On the Way of The Showman: ‘Again, With Feeling’

    November 28, 2018
  • The Manifesto 13# – Kareena Hodgson

    November 22, 2018
  • Alex Mizzen’s Invisible Things

    November 21, 2018
  • MT W∆RNING, ‘You & Me’ – Rehearsal X Life

    November 17, 2018
  • NICA : Class of 2018

    November 13, 2018
  • The Manifesto 12# – Kareena Hodgson

    November 9, 2018
  • Le Sacre, NICA Photo Gallery – Aaron Walker

    November 7, 2018
  • Resting B*tch Face, Brisbane 2017 – Words by Madeleine Grant & Pics by Hamish McCormick (Carnival Cinema)

    November 4, 2018
  • Pick of The Net: ‘Vintage’ Circus Women

    November 1, 2018
  • On The Way of The Showman: Night Off in Vegas

    October 28, 2018
  • The Manifesto 11# – Kareena Hodgson

    October 25, 2018
  • Mullum Music Festival – Photo Gallery

    October 23, 2018
  • From The Carnival Cinema Archives

    October 18, 2018
  • The Manifesto 10# – Kareena Hodgson

    October 17, 2018
  • Latest from Underground Media – Chris Bennet Film maker Contributor

    October 15, 2018
  • Kate Pardey Photo Gallery – Cirque Alfonse : Barbu 2016

    October 9, 2018
  • Art in The Hills

    October 8, 2018
  • Pick of The Net: Skye Gellmann ‘End Grain Installations’ 2017 (Japan)

    October 7, 2018
  • Backstage with Model Citizens : Words By Lucy Gamsby Frost & Photos by Luke David Kellett

    September 29, 2018
  • The Manifesto 9# – Kareena Hodgson

    September 28, 2018
  • On The Way of The Showman: Oversaturation

    September 28, 2018
  • Carnival Cinema Gathering Brisbane 2018

    September 27, 2018
  • The Manifesto 8# – Kareena Hodgson

    September 14, 2018
  • #Dragformation by Aaron Walker – Photography Feature

    September 11, 2018
  • Pic of the Week: Chad & Ben, Mullumbimby Circus Festival 2015

    September 10, 2018
  • Alex Mizzen – ‘Small Steps’ project 2015

    September 7, 2018
  • Pick of the net: Rudi Mineur (Snr) – The Art of The Minature

    September 5, 2018
  • The Manifesto 7# – Kareena Hodgson

    August 31, 2018
  • I wanna do that, What you do, How do I do that? by Adrienne Truscott

    August 30, 2018
  • On the way of the Showman: Time Travel

    August 29, 2018
  • Pick of The Net: ‘AutoCannibal’ – Mitch Jones (Creative Development Video)

    August 27, 2018
  • Pic of The Week: Laurie Hagen – Club Swizzle

    August 20, 2018
  • Pick of The Net: Storrorblog (Parkour)

    August 17, 2018
  • Club Swizzle X Carnival Cinema at the Roundhouse London

    August 17, 2018
  • Hideaway Circus Podcast (Brooklyn NY)

    August 17, 2018
  • The Manifesto 6# – Kareena Hodgson

    August 17, 2018
  • Pic of the Week: Hot Brown Honey

    August 13, 2018
  • Where do Women exist? By Simone O’Brien

    August 3, 2018
  • The Manifesto 5# – Kareena Hodgson

    August 3, 2018
  • The Manifesto 4# – Kareena Hodgson

    July 20, 2018
  • The Manifesto 3# – Kareena Hodgson

    July 8, 2018
  • Pick of The Net: Mojo Juju – Native Tongue

    July 7, 2018
  • On the Way of the Showman: Terms and Conditions

    June 28, 2018
  • The Manifesto 2# – Kareena Hodgson

    June 22, 2018
  • Pic of the Week: The Pitts Family Circus

    June 18, 2018
  • Carnival Cinema’s Melba Film Night

    June 8, 2018
  • The Manifesto 1# – Kareena Hodgson

    June 8, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #5

    June 1, 2018
  • New! Carnival Cinema Merch – Patch

    April 3, 2018
  • Balance.

    March 29, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #4

    March 21, 2018
  • Malia Walsh – Feature Artist Interview

    March 13, 2018
  • WA Circus Festival – Life at the Circus Video Series

    January 29, 2018
  • Tales From The Training Room Floor – Episode #5: Pointe Adagio/Risley

    December 10, 2017
  • FALLOT (fä-ˈlō) – Photo Essay

    November 29, 2017
  • PARTY GHOST by POACHED EGGS AND ASPARAGUS – Interview

    November 16, 2017
  • ‘Casting Off’ by A Good Catch @ Sidesault Festival – Interview

    November 9, 2017
  • Pick of The Net: Acts on The Paul Daniels Magic Show in 1985

    November 3, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #3

    November 2, 2017
  • Mullum Circus Festival 2017: Through The Carnival Cinema Lens

    October 26, 2017
  • Tales From The Training Room Floor – Episode #4: Rope (Corde Lisse)

    October 24, 2017
  • Pick of the Net: Annalise Chris Andre

    October 20, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #2

    October 9, 2017
  • Pick of The Net: CIRCUS LUNARTICS (Lunar Circus Documentary – 2001)

    September 29, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #1

    September 22, 2017
  • From The Carnival Cinema Archives: Derek Ives – ‘Bucket of Love’ 2007

    September 20, 2017
  • Tales From The Training Room Floor – Episode #3: Roue Cyr

    September 18, 2017
  • Top 5# Tips – How to get over Jet lag quickly

    August 31, 2017
  • Tales From The Training Room Floor – Episode #2: Chairs & Training

    August 23, 2017
  • CIRCUS STARS: Circus and Autism- TEDX talk by Kristy Seymour

    August 16, 2017
  • The making of ‘Razor Baby’ – Club Swing 1998

    August 15, 2017
  • Tales From The Training Room Floor Ep #1: Washington Trapeze

    August 8, 2017
  • The Space Cowboy: Birth of The Million Volt Man

    August 4, 2017
  • Mullum Circus Festival 2001

    July 25, 2017
  • Carnival Cinema Archive – Laid Out

    July 20, 2017
  • Bush High Wire session: National Circus Festival 2011

    July 11, 2017
  • Circus Photographer & Film Maker Feature: Kimberley Brewster

    June 30, 2017
  • Circus Oz Presents Model Citizens

    June 17, 2017
  • Captain Frodo – The Way of the Showman: Video Series

    June 7, 2017
  • Gravity & Other Myths presents BACKBONE

    June 2, 2017

Recent Posts

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  • Tempo by The Flying Fruit Fly Circus – Jake Silvestro
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  • Chuka Chuks Instructional Videos.

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Recent Posts

  • Top 5# Tips – Surviving & Thriving Adelaide Fringe Festival.

    February 21, 2023
  • Djuki Mala – Gali’winku, Elcho island 2022

    December 8, 2022
  • Tempo by The Flying Fruit Fly Circus – Jake Silvestro

    December 6, 2022
  • Emily Lubitz – Foolish Kids

    November 28, 2022
  • Chuka Chuks Instructional Videos.

    November 7, 2022
  • Open Letter From Hamish AKA Carnival Cinema

    October 21, 2022
  • On the Way of The Showman: The Act of Birth

    February 10, 2020
  • Vulcana – Interview with Celia White

    January 30, 2020
  • Carnival Cinema Presents ‘Fluke’

    January 11, 2020
  • On the Way of The Showman: Natural Acts

    January 10, 2020
  • ‘Uncertainty’ by Charmaine Childs

    January 7, 2020
  • Barefoot Bravery, Bolton and the Bush by Georgia Deguara (Yuck Circus)

    December 18, 2019
  • On the Way of The Showman: Where’s My Art?

    November 28, 2019
  • The Manifesto 33# – Kareena Hodgson

    November 1, 2019
  • On the Way of The Showman: Dinosaurs and Circus

    October 28, 2019
  • The Manifesto 32# – Kareena Hodgson

    October 14, 2019
  • Behind the Scenes of Circus Oz’s Aurora – through the lens of Aaron Walker.

    October 4, 2019
  • On the Way of The Showman: Lets Play Zirkus

    September 28, 2019
  • Pick of the Net: Janik & Arnaut’s Snake dance, 1952

    September 23, 2019
  • Pick of the Net: Moscow Circus School 1965

    September 16, 2019
  • Current Australian Shows & Artists in circulation – 2019ish : Festival Precincts, Tents & Venues 

    September 12, 2019
  • Current Australian Shows & Artists in circulation – 2019ish: Individual Artists 

    September 12, 2019
  • Current Australian Shows & Artists in circulation – 2019ish: Youth Circuses

    September 12, 2019
  • Current Australian Shows & Artists in circulation – 2019ish: Kids & family shows

    September 12, 2019
  • Current Australian Shows & Artists in circulation – 2019ish: Companies

    September 12, 2019
  • Current Australian Shows & Artists in ‘circulation’ – 2019ish: Circus Cabaret & Variety

    September 12, 2019
  • The Manifesto 31# – Kareena Hodgson

    September 10, 2019
  • Pick of the Net: Kateryna Nikiforova – Bounce Juggler

    September 9, 2019
  • Behind the Flitter Curtain – Circa’s Peepshow through the lens of Billie Wilson-Coffey

    August 30, 2019
  • 4 am: by Imogen Kelly- Part 2. (MA15+)

    August 29, 2019
  • 3 am: by Imogen Kelly – Part 1. (MA15+)

    August 29, 2019
  • Georgia Deguara (Yuck Circus) reports in from Edinburgh.

    August 29, 2019
  • Pick of the Net: ‘Crowd Sauce’ by Tom Thum

    August 28, 2019
  • On the Way of The Showman: Clown Truth

    August 28, 2019
  • The Manifesto 30# – Kareena Hodgson

    August 26, 2019
  • Wunderage by Company 2 & Circus Oz – Carnival Cinema Photo Gallery

    August 15, 2019
  • The Manifesto 29# – Kareena Hodgson

    August 7, 2019
  • On the Way of The Showman: Secret knowledge & Me

    July 28, 2019
  • Diary from Philippe Gaulier’s Clown School: Day 1 – Ciara Thorburn

    July 26, 2019
  • The Common Thread: Web series by Darius Devas from ‘Being Here’ Films

    July 14, 2019
  • Amidst the Chaos – Behind the Scenes video series with Gravity & Other Myths

    July 10, 2019
  • The Manifesto 28# – Kareena Hodgson

    July 9, 2019
  • On the Way of The Showman: Explorations in the Kingdom of Childhood

    June 28, 2019
  • Autocannibal: Interview with Masha Terentieva & Mitch Jones

    June 26, 2019
  • FOLD: A Domestic Circus

    June 26, 2019
  • The Manifesto 27# – Kareena Hodgson

    June 25, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 8#

    June 24, 2019
  • Pick of the Net: Freyja & Conor Wild – Interviews – 7 Doights

    June 20, 2019
  • ‘Water Body’ – Photo Gallery & Interview. Aaron Walker

    June 13, 2019
  • Circus Garage Sale & Mentorship Facebook Page

    June 13, 2019
  • The Manifesto 26# – Kareena Hodgson

    June 13, 2019
  • Pick of the Net: Vintage Circus 2#

    June 13, 2019
  • Casus – DNA. Photo Gallery by Kate Pardey

    May 29, 2019
  • On the Way of The Showman: On Music

    May 28, 2019
  • Simi Genziuk’s new book – So She Did, The Story of May Wirth.

    May 28, 2019
  • The Manifesto 25# – Kareena Hodgson

    May 28, 2019
  • Pick of the Net: Lewie West Acro Impro

    May 24, 2019
  • World Acrobatics Magazine – Ralph Samuels

    May 15, 2019
  • The Manifesto 24# – Kareena Hodgson

    May 14, 2019
  • Pick of The Net: HALLELUJAH – A Circus/Queer Film [Gay Love, Hate & Religion.] by Matthew Richardson

    May 7, 2019
  • Warehouse Circus: Social Perspectives Video

    May 6, 2019
  • The Brunswick Picture House – The Birth of a Cultural Hub

    April 29, 2019
  • Gravity & Other Myths – Out Of Chaos, Adelaide Festival 2019

    April 29, 2019
  • On the Way of The Showman: Travel Log, April 2019

    April 28, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 7#

    April 28, 2019
  • The Manifesto 23# – Kareena Hodgson

    April 17, 2019
  • Rebel, Rouge & Shake it – Photo Gallery from Mark Turner

    April 3, 2019
  • Pick of the Net: Jiemba Sands rocking Instagram

    April 2, 2019
  • The Manifesto 22# – Kareena Hodgson

    April 2, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 6#

    April 1, 2019
  • On the Way of The Showman: Esoteric vs Exoteric Showman

    March 28, 2019
  • Interview with Trent ‘The Birdmann’ Baumann

    March 20, 2019
  • Interview with Lynne Kent

    March 19, 2019
  • The Manifesto 21# – Kareena Hodgson

    March 18, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 5#

    March 18, 2019
  • The Destiny Show Project by Contributing Photographer Aaron Walker

    March 17, 2019
  • Strawberry Siren Feature Interview

    March 5, 2019
  • Erasmus+ EDUCIRCATION: CIRCE partnership project by Marada Manussen (UK)

    March 3, 2019
  • Circus Cracks Open 2019 – Sand, Spin & Sin City by Simone O’Brien

    March 1, 2019
  • On the Way of The Showman: Get Your Act Together

    February 28, 2019
  • The Manifesto 20# – Kareena Hodgson

    February 27, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 4#

    February 26, 2019
  • Out of Chaos by Gravity & Other myths – BTS Photo Gallery

    February 13, 2019
  • Running a Circus Festival? How Hard Could it Be? by Ciara Thorburn

    February 13, 2019
  • The Manifesto 19# – Kareena Hodgson

    February 13, 2019
  • ‘Lost in Circus’ Video Series – Ken Fanning

    February 13, 2019
  • Spaghetti Circus Film 2018 by Performance Troupe Member Anais Stewart – Long

    February 13, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 3#

    February 12, 2019
  • Pick of The Net: Danny MacAskill – Industrial Revolutions

    February 11, 2019
  • Jess Love Interview

    January 30, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 2#

    January 29, 2019
  • The Manifesto 18# – Kareena Hodgson

    January 29, 2019
  • On the Way of The Showman: The Soul Spectacle

    January 28, 2019
  • Photo Gallery Teaser – Kate Pardey’s Exhibition: Showing Up

    January 28, 2019
  • Interview: Clare Bartholomew & Nicci Wilks – The Long Pigs

    January 16, 2019
  • The Manifesto 17# – Kareena Hodgson

    January 16, 2019
  • From the Editor in Chief aka Hamish’s Fortnightly Findings 1#

    January 15, 2019
  • Western Australian Circus Festival – ‘Karnidale’ 2018 – Photo Gallery

    January 14, 2019
  • The Manifesto 16# – Kareena Hodgson

    January 2, 2019
  • On the Way of The Showman: End Times

    December 28, 2018
  • Carnival Cinema Flashback: KAGE – Team of Life 2014

    December 19, 2018
  • The Manifesto 15# – Kareena Hodgson

    December 19, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #6

    December 17, 2018
  • Pick of the Net: The Jovers (Wilfred & Fe Halliwell) 1980

    December 14, 2018
  • The Manifesto 14# – Kareena Hodgson

    December 6, 2018
  • ‘Perhaps Hope’ by Company Here & Now – Interview

    December 5, 2018
  • Pick of The Net: ‘Whats Right’ – Hugo Bladel

    December 3, 2018
  • Flipside Circus Celebrates 20 Years – Kristy Seymour

    November 30, 2018
  • On the Way of The Showman: ‘Again, With Feeling’

    November 28, 2018
  • The Manifesto 13# – Kareena Hodgson

    November 22, 2018
  • Alex Mizzen’s Invisible Things

    November 21, 2018
  • MT W∆RNING, ‘You & Me’ – Rehearsal X Life

    November 17, 2018
  • NICA : Class of 2018

    November 13, 2018
  • The Manifesto 12# – Kareena Hodgson

    November 9, 2018
  • Le Sacre, NICA Photo Gallery – Aaron Walker

    November 7, 2018
  • Resting B*tch Face, Brisbane 2017 – Words by Madeleine Grant & Pics by Hamish McCormick (Carnival Cinema)

    November 4, 2018
  • Pick of The Net: ‘Vintage’ Circus Women

    November 1, 2018
  • On The Way of The Showman: Night Off in Vegas

    October 28, 2018
  • The Manifesto 11# – Kareena Hodgson

    October 25, 2018
  • Mullum Music Festival – Photo Gallery

    October 23, 2018
  • From The Carnival Cinema Archives

    October 18, 2018
  • The Manifesto 10# – Kareena Hodgson

    October 17, 2018
  • Latest from Underground Media – Chris Bennet Film maker Contributor

    October 15, 2018
  • Kate Pardey Photo Gallery – Cirque Alfonse : Barbu 2016

    October 9, 2018
  • Art in The Hills

    October 8, 2018
  • Pick of The Net: Skye Gellmann ‘End Grain Installations’ 2017 (Japan)

    October 7, 2018
  • Backstage with Model Citizens : Words By Lucy Gamsby Frost & Photos by Luke David Kellett

    September 29, 2018
  • The Manifesto 9# – Kareena Hodgson

    September 28, 2018
  • On The Way of The Showman: Oversaturation

    September 28, 2018
  • Carnival Cinema Gathering Brisbane 2018

    September 27, 2018
  • The Manifesto 8# – Kareena Hodgson

    September 14, 2018
  • #Dragformation by Aaron Walker – Photography Feature

    September 11, 2018
  • Pic of the Week: Chad & Ben, Mullumbimby Circus Festival 2015

    September 10, 2018
  • Alex Mizzen – ‘Small Steps’ project 2015

    September 7, 2018
  • Pick of the net: Rudi Mineur (Snr) – The Art of The Minature

    September 5, 2018
  • The Manifesto 7# – Kareena Hodgson

    August 31, 2018
  • I wanna do that, What you do, How do I do that? by Adrienne Truscott

    August 30, 2018
  • On the way of the Showman: Time Travel

    August 29, 2018
  • Pick of The Net: ‘AutoCannibal’ – Mitch Jones (Creative Development Video)

    August 27, 2018
  • Pic of The Week: Laurie Hagen – Club Swizzle

    August 20, 2018
  • Pick of The Net: Storrorblog (Parkour)

    August 17, 2018
  • Club Swizzle X Carnival Cinema at the Roundhouse London

    August 17, 2018
  • Hideaway Circus Podcast (Brooklyn NY)

    August 17, 2018
  • The Manifesto 6# – Kareena Hodgson

    August 17, 2018
  • Pic of the Week: Hot Brown Honey

    August 13, 2018
  • Where do Women exist? By Simone O’Brien

    August 3, 2018
  • The Manifesto 5# – Kareena Hodgson

    August 3, 2018
  • The Manifesto 4# – Kareena Hodgson

    July 20, 2018
  • The Manifesto 3# – Kareena Hodgson

    July 8, 2018
  • Pick of The Net: Mojo Juju – Native Tongue

    July 7, 2018
  • On the Way of the Showman: Terms and Conditions

    June 28, 2018
  • The Manifesto 2# – Kareena Hodgson

    June 22, 2018
  • Pic of the Week: The Pitts Family Circus

    June 18, 2018
  • Carnival Cinema’s Melba Film Night

    June 8, 2018
  • The Manifesto 1# – Kareena Hodgson

    June 8, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #5

    June 1, 2018
  • Feature Interview: Kareena (Oates) Hodgson

    April 13, 2018
  • New! Carnival Cinema Merch – Patch

    April 3, 2018
  • Balance.

    March 29, 2018
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #4

    March 21, 2018
  • Malia Walsh – Feature Artist Interview

    March 13, 2018
  • WA Circus Festival – Life at the Circus Video Series

    January 29, 2018
  • Tales From The Training Room Floor – Episode #5: Pointe Adagio/Risley

    December 10, 2017
  • FALLOT (fä-ˈlō) – Photo Essay

    November 29, 2017
  • CircusTalk Social Network – An Interview with the Editor-in-Chief

    November 22, 2017
  • PARTY GHOST by POACHED EGGS AND ASPARAGUS – Interview

    November 16, 2017
  • The Syndicate Sideshow – Interview

    November 12, 2017
  • ‘Casting Off’ by A Good Catch @ Sidesault Festival – Interview

    November 9, 2017
  • Pick of The Net: Acts on The Paul Daniels Magic Show in 1985

    November 3, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #3

    November 2, 2017
  • Mullum Circus Festival 2017: Through The Carnival Cinema Lens

    October 26, 2017
  • Tales From The Training Room Floor – Episode #4: Rope (Corde Lisse)

    October 24, 2017
  • Pick of the Net: Annalise Chris Andre

    October 20, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #2

    October 9, 2017
  • Pick of The Net: CIRCUS LUNARTICS (Lunar Circus Documentary – 2001)

    September 29, 2017
  • Gravity & Other Myths: ‘Sticks & Stones’ Episode #1

    September 22, 2017
  • From The Carnival Cinema Archives: Derek Ives – ‘Bucket of Love’ 2007

    September 20, 2017
  • Tales From The Training Room Floor – Episode #3: Roue Cyr

    September 18, 2017
  • The Pitts Circus: The Movie – Interview with Director Ken Fanning

    September 3, 2017
  • Top 5# Tips – How to get over Jet lag quickly

    August 31, 2017
  • Tales From The Training Room Floor – Episode #2: Chairs & Training

    August 23, 2017
  • CIRCUS STARS: Circus and Autism- TEDX talk by Kristy Seymour

    August 16, 2017
  • The making of ‘Razor Baby’ – Club Swing 1998

    August 15, 2017
  • Tales From The Training Room Floor Ep #1: Washington Trapeze

    August 8, 2017
  • The Space Cowboy: Birth of The Million Volt Man

    August 4, 2017
  • Briefs Close Encounters

    July 30, 2017
  • Mullum Circus Festival 2001

    July 25, 2017
  • Carnival Cinema Archive – Laid Out

    July 20, 2017
  • Bush High Wire session: National Circus Festival 2011

    July 11, 2017
  • Circus Photographer & Film Maker Feature: Kimberley Brewster

    June 30, 2017
  • Circus Oz Presents Model Citizens

    June 17, 2017
  • Top 5# Tips – Juggling work and raising small children

    June 14, 2017
  • Featured Artist: Billie Wilson-Coffey

    June 12, 2017
  • Captain Frodo – The Way of the Showman: Video Series

    June 7, 2017
  • Gravity & Other Myths presents BACKBONE

    June 2, 2017
  • Featured Artists – Dan & Rhiannon Cave-Walker

    May 25, 2017

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